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Today's Stichomancy for Kobe Bryant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

In the dark face of death; While I am curious still Of love and fame, Keeping my heart too high For the years to tame, How can I quarrel with fate Since I can see I am a debtor to life, Not life to me?

The Wind in the Hemlock

Steely stars and moon of brass,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac:

nothing. I met you at an age when the feelings of the heart stifle the desires implanted in our nature; but many scenes, the memory of which will kindle my soul to the hour of death, must have told you that this age was drawing to a close, and it was your constant triumph still to prolong its mute delights. A love without possession is maintained by the exasperation of desire; but there comes a moment when all is suffering within us--for in this we have no resemblance to you. We possess a power we cannot abdicate, or we cease to be men. Deprived of the nourishment it needs, the heart feeds upon itself, feeling an exhaustion which is not death, but which precedes it. Nature cannot long be silenced; some trifling accident awakens it to a violence that

The Lily of the Valley
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

next summer?"

"If I only could!" she gasped.

Still she might have been happy, had it not been for Madame Dubeau,--Madame Dubeau, the flute-voiced leading soprano, who wore the single dainty curl on her forehead, and thrilled her audiences oftentimes more completely than the fisherman. Madame Dubeau was La Juive to his Eleazar, Leonore to his Manfred, Elsa to his Lohengrin, Aida to his Rhadames, Marguerite to his Faust; in brief, Madame Dubeau was his opposite. She caressed him as Mignon, pleaded with him as Michaela, died for him in "Les Huguenots," broke her heart for love of him in "La Favorite."

The Goodness of St. Rocque and Other Stories
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

"Did he look mean and cunning?"

"He did not wear his legal beaver up, I think; but he rode a fine horse and sat it well."

"A lawyer on horseback should, like the beggar of the adage, ride to the devil."

"Your business now is the 'Lemorne?'"

"You know it is."

"I did not know but that you had found something besides to litigate."

"It must have been Edward Uxbridge that you saw. He is the brain of the firm."