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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the past or something you must release, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

you? Den we kin git sumfn better den strawbries."

"Strawberries and such truck," I says. "Is that what you live on?"

"I couldn' git nuffn else," he says.

"Why, how long you been on the island, Jim?"

"I come heah de night arter you's killed."

"What, all that time?"

"Yes -- indeedy."

"And ain't you had nothing but that kind of rub- bage to eat?"

"No, sah -- nuffn else."


The Adventures of Huckleberry Finn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen:

could even talk about painting, and that's more than can be said of most painters. About eighteen months ago he was feeling rather overworked, and partly at my suggestion he went off on a sort of roving expedition, with no very definite end or aim about it. I believe New York was to be his first port, but I never heard from him. Three months ago I got this book, with a very civil letter from an English doctor practising at Buenos Ayres, stating that he had attended the late Mr. Meyrick during his illness, and that the deceased had expressed an earnest wish that the enclosed packet should be sent to me after his death. That was all."


The Great God Pan
The third excerpt represents the future or something you must embrace, and is drawn from Sons and Lovers by D. H. Lawrence:

Now he was like a lad taking a holiday.

He had always been fond of Beatrice Wyld, and during his furlough he picked up with her again. She was stronger and better in health. The two often went long walks together, Arthur taking her arm in soldier's fashion, rather stiffly. And she came to play the piano whilst he sang. Then Arthur would unhook his tunic collar. He grew flushed, his eyes were bright, he sang in a manly tenor. Afterwards they sat together on the sofa. He seemed to flaunt his body: she was aware of him so--the strong chest, the sides, the thighs in their close-fitting trousers.

He liked to lapse into the dialect when he talked to her.


Sons and Lovers