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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vendetta by Honore de Balzac:

himself in the garret beyond the studio.

"You, who take her part," she said to Mademoiselle Roguin, "watch her carefully, and you will see how she spends her time."

Ginevra was, therefore, observed with diabolical attention. They listened to her songs, they watched her glances. At times, when she supposed that no one saw her, a dozen pairs of eyes were furtively upon her. Thus enlightened, the girls were able to interpret truly the emotions that crossed the features of the beautiful Italian,--her gestures, the peculiar tones in which she hummed a tune, and the attention with which they saw her listen to sounds which only she could hear through the partition.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Vicar of Tours by Honore de Balzac:

that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way.

There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

its way inside. The house standing thus quite by itself looked like some old tower that Time had forgotten to destroy. A faint light shone from the attic windows pierced at irregular distances in the roof; otherwise the whole building was in total darkness.

Meanwhile the old lady climbed not without difficulty up the rough, clumsily built staircase, with a rope by way of a hand-rail. At the door of the lodging in the attic she stopped and tapped mysteriously; an old man brought forward a chair for her. She dropped into it at once.

"Hide! hide!" she exclaimed, looking up at him. "Seldom as we leave the house, everything that we do is known, and every step is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moral Emblems by Robert Louis Stevenson:

He feels the solid building quake, The trusty timbers throb.

All night beside the fire he cowers: He hears the rafters jar: O why is he not in a proper house As decent people are!

The floors are all aslant, he sees, The doors are all a-jam; And from the hook above his head All crooked swings the ham.

'Alas,' he cries and shakes his head,