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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

explosion; the mountain echoes bellowed, and then all was still. On examination, the can proved to contain oil, with the trifling addition of nitro-glycerine; but no research disclosed a trace of either man or lantern.

It was a pretty sight, after this anecdote, to see us sweeping out the giant powder. It seemed never to be far enough away. And, after all, it was only some rock pounded for assay.

So much for the lower room. We scraped some of the rougher dirt off the floor, and left it. That was our sitting-room and kitchen, though there was nothing to sit upon but the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

or 3'0 5': if the eyes are turned still more upwards, it amounts to between 6'0 and 7'0. Professor Donders attributes this divergence to the almost complete relaxation of certain muscles of the eyes, which would be apt to follow from the mind being wholly absorbed.[6] The active condition of the muscles of the eyes is that of convergence; and Professor Donders remarks, as bearing on their divergence during a period of complete abstraction, that when one eye becomes blind, it almost always, after a short lapse of time, deviates outwards; for its muscles are no longer used in moving the eyeball inwards for the sake of binocular vision.

[6] Gratiolet remarks (De la Phys. p. 35), "Quand l'attention


Expression of Emotion in Man and Animals
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

come. Her mother had turned upon her.

"It is all your fault, Diantha," she had declared.

"My fault?" echoed Mrs. Diantha, bewildered. "Where is Amelia?"

"We don't know," said Grandmother Stark, "but you have probably driven her away from home by your cruelty."

"Cruelty?"

"Yes, cruelty. What right had you to make that poor child look like a fright, so people laughed at her? We have made her some dresses that look