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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Arabian Nights by Robert Louis Stevenson:

are many men in France who have been asked in marriage by a beautiful maiden - with her own lips - and who have refused her to her face? I know you men would half despise such a triumph; but believe me, we women know more of what is precious in love. There is nothing that should set a person higher in his own esteem; and we women would prize nothing more dearly."

"You are very good," he said; "but you cannot make me forget that I was asked in pity and not for love."

"I am not so sure of that," she replied, holding down her head. "Hear me to an end, Monsieur de Beaulieu. I know how you must despise me; I feel you are right to do so; I am too poor a creature

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

been independently acquired through variation and natural selection by distinct species; but this view will not explain close similarity between distinct species in a multitude of unimportant details. Now if we bear in mind the numerous points of structure having no relation to expression, in which all the races of man closely agree, and then add to them the numerous points, some of the highest importance and many of the most trifling value, on which the movements of expression directly or indirectly depend, it seems to me improbable in the highest degree that so much similarity, or rather identity of structure, could have been acquired by independent means. Yet this must have been the case if the races of man are descended


Expression of Emotion in Man and Animals
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Misalliance by George Bernard Shaw:

PERCIVAL. How he kept his head I cant imagine. Frankly, _I_ didnt.

_The Passenger, also begoggled, comes in through the pavilion with Johnny and the two ladies. The Passenger comes between Percival and Tarleton, Mrs Tarleton between Lord Summerhays and her husband, Hypatia between Percival and Bentley, and Johnny to Bentley's right._

TARLETON. Just discussing your prowess, my dear sir. Magnificent. Youll stay to dinner. Youll stay the night. Stay over the week. The Chickabiddy will be delighted.

MRS TARLETON. Wont you take off your goggles and have some tea?

_The Passenger begins to remove the goggles._

TARLETON. Do. Have a wash. Johnny: take the gentleman to your

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Idylls of the King by Alfred Tennyson:

Rolling his eyes, a moment stood, then spake: `Rise, weakling; I am Lancelot; say thy say.'

And Lancelot slowly rode his warhorse back To Camelot, and Sir Pelleas in brief while Caught his unbroken limbs from the dark field, And followed to the city. It chanced that both Brake into hall together, worn and pale. There with her knights and dames was Guinevere. Full wonderingly she gazed on Lancelot So soon returned, and then on Pelleas, him Who had not greeted her, but cast himself