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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Island of Doctor Moreau by H. G. Wells:

up on the edge of the ravine, and like a bar across its face drove the spire of vapour that was for ever streaming from the fumaroles of the island.

"Walk by me," said I, nerving myself; and side by side we walked down the narrow way, taking little heed of the dim Things that peered at us out of the huts.

None about the fire attempted to salute me. Most of them disregarded me, ostentatiously. I looked round for the Hyena-swine, but he was not there. Altogether, perhaps twenty of the Beast Folk squatted, staring into the fire or talking to one another.

"He is dead, he is dead! the Master is dead!" said the voice


The Island of Doctor Moreau
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Virginian by Owen Wister:

for; but none of the steers had been suddenly picked from the herd and set above his fellows. Moreover, Chicago finished up the steers; but the new-made deputy foreman had then to lead his six highly unoccupied brethren away from towns, and back in peace to the ranch, or disappoint the Judge, who needed their services. These things sometimes go wrong in a land where they say you are all born equal; and that quarter of a nod in Colonel Cyrus Jones's eating palace held more equality than any whole nod you could see. But the Virginian did not see it, there being a time for all things.

We trundled down the flopping, heavy-eddied Missouri to


The Virginian
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

and level and overlooked by inland mountain-tops, the town lies drawn out in strings and clusters. The western horn is Mulinuu, the eastern, Matautu; and from one to the other of these extremes, I ask the reader to walk. He will find more of the history of Samoa spread before his eyes in that excursion, than has yet been collected in the blue-books or the white-books of the world. Mulinuu (where the walk is to begin) is a flat, wind-swept promontory, planted with palms, backed against a swamp of mangroves, and occupied by a rather miserable village. The reader is informed that this is the proper residence of the Samoan kings; he will be the more surprised to observe a board set up, and to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

only form of outdoor existence possible for too many inhabitants of the British Isles. But a walk without an object, unless in the most lovely and novel of scenery, is a poor exercise; and as a recreation, utterly nil. I never knew two young lads go out for a "constitutional," who did not, if they were commonplace youths, gossip the whole way about things better left unspoken; or, if they were clever ones, fall on arguing and brainsbeating on politics or metaphysics from the moment they left the door, and return with their wits even more heated and tired than they were when they set out. I cannot help fancying that Milton made a mistake in a certain celebrated passage; and that it was not "sitting on a hill