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Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MISS HARDCASTLE. Never fear me. I think I have got the true bar cant--Did your honour call?--Attend the Lion there--Pipes and tobacco for the Angel.--The Lamb has been outrageous this half-hour.

MAID. It will do, madam. But he's here. [Exit MAID.]

Enter MARLOW.

MARLOW. What a bawling in every part of the house! I have scarce a moment's repose. If I go to the best room, there I find my host and his story: if I fly to the gallery, there we have my hostess with her curtsey down to the ground. I have at last got a moment to myself, and now for recollection. [Walks and muses.]

MISS HARDCASTLE. Did you call, sir? Did your honour call?


She Stoops to Conquer
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac:

the expiatory mass with you----"

He broke off, bowed to the three, who answered not a word, gave a last look at the garret with its signs of poverty, and vanished.

Such an adventure possessed all the interest of a romance in the lives of the innocent nuns. So, as soon as the venerable abbe told them the story of the mysterious gift, it was placed upon the table, and by the feeble light of the tallow dip an indescribable curiosity appeared in the three anxious faces. Mademoiselle de Langeais opened the box, and found a very fine lawn handkerchief, soiled with sweat; darker stains appeared as they unfolded it.

"That is blood!" exclaimed the priest.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Crowd by Gustave le Bon:

of a strong authority--The momentary revolutionary instincts of crowds do not prevent them from being extremely conservative--Crowds instinctively hostile to changes and progress. 5. THE MORALITY OF CROWDS. The morality of crowds, according to the suggestions under which they act, may be much lower or much higher than that of the individuals composing them--Explanation and examples-- Crowds rarely guided by those considerations of interest which are most often the exclusive motives of the isolated individual--The moralising role of crowds.

Having indicated in a general way the principal characteristics

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Finished by H. Rider Haggard:

of it, but only asked--

"Will you go instead of me?"

"On the whole I think not," I replied, "and if I did, the story I should have to tell might not tend to your advantage.

"That's true, damn you!" he exclaimed and left the room.

Ten minutes later he was galloping towards Pilgrim's Rest. Before I departed from the death chamber I examined the place carefully to see if I could find any poison or other deadly thing, but without success. One thing I did discover, however. Turning the leaf of a blotting-book that was by Marnham's elbow, I came upon a sheet of paper on which were written these words in