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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

indeed, as she represented him standing in the corner of a room with his face to the wall, rubbing the back of his head and moaning helplessly, "Rita, you are the death of me!" were enough to make one (if young and free from cares) split one's sides laughing. She had an uncle still living, a very effective Carlist, too, the priest of a little mountain parish in Guipuzcoa. As the sea-going member of the syndicate (whose plans depended greatly on Dona Rita's information), I used to be charged with humbly affectionate messages for the old man. These messages I was supposed to deliver to the Arragonese muleteers (who were sure to await at certain times the Tremolino in the neighbourhood of the Gulf of Rosas), for

The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

come to be generally regarded as the one and only form of practical lighter-than-air type of aircraft. Moreover, the name has been driven home with such effect that it is regarded as the generic term for all German airships.

These are grievous fallacies. The Zeppelin is merely one of a variety of types, even in Germany, although at the moment it probably ranks as the solitary survivor of the rigid system of construction. At one time, owing to the earnestness with which the advantages of this form of design were discussed, and in view of the fact that the Zeppelin certainly appeared to triumph when all other designs failed, Great Britain was tempted to embrace

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

the man's head a pool of blood had collected upon the concrete floor.

Quickly, the Belgian leaped over the prostrate form of his erstwhile host, and without a thought of succor for the man in whom, for aught he knew, life still remained, he bolted for the passageway and safety.

But his renewed hopes were soon dashed. Just beyond the doorway he found the passage completely clogged and choked by impenetrable masses of shattered rock. Once more he turned and re-entered the treasure vault. Taking the candle from its place he commenced a

Tarzan and the Jewels of Opar
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

snuffy old things of thirty, or thereabouts. Men aren't marrying now-a-days, anyway. Certainly not for love. They marry for position, or power, or money, when they do marry. Think of all the glorious creatures he meets every day--women whose hair, and finger-nails and teeth and skin are a religion; women whose clothes are a fine art; women who are free to care only for themselves; to rest, to enjoy, to hear delightful music, and read charming books, and eat delicious food. He doesn't really care about you, with your rumpled blouses, and your shabby gloves and shoes, and your somewhat doubtful