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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Marie by H. Rider Haggard:

stood still for a moment, and as I stood thought that I heard a faint sound as of someone reciting slowly. I crept along the end of the outermost house and, rubbing the cold sweat from my eyes, peeped round the corner, for it occurred to me that savages might be in possession. Then I saw what caused the sound. A tattered, blackened, bearded man stood at the head of a long and shallow hole saying a prayer.

It was Henri Marais, although at the time I did not recognise him, so changed was he. A number of little mounds to the right and left of him told me, however, that the hole was a grave. As I watched two more men appeared, dragging between them the body of a woman, which evidently they had not strength to carry, as its legs trailed upon the ground.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the World Shook by H. Rider Haggard:

meaning and smiled, while Oro said:

"Of this great matter of faith we will talk later. It is an old question in the world."

"Why," went on Yva, "if you wished to travel so far did you come in a ship that so easily is wrecked? Why did you not journey through the air, or better still, pass through space, leaving your bodies asleep, as, being instructed, doubtless you can do?"

"As regards your first question," I answered, "there are no aircraft known that can make so long a journey."

"And as regards the second," broke in Bickley, "we did not do so because it is impossible for men to transfer themselves to

When the World Shook
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

and I give you the reality. And if I am to estimate the penalty fairly, I should say that maintenance in the Prytaneum is the just return.

Perhaps you think that I am braving you in what I am saying now, as in what I said before about the tears and prayers. But this is not so. I speak rather because I am convinced that I never intentionally wronged any one, although I cannot convince you--the time has been too short; if there were a law at Athens, as there is in other cities, that a capital cause should not be decided in one day, then I believe that I should have convinced you. But I cannot in a moment refute great slanders; and, as I am convinced that I never wronged another, I will assuredly not wrong myself. I will not say of myself that I deserve any evil, or propose any penalty. Why should I?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voice of the City by O. Henry:

smile; "was I talking to myself? I think it is getting to be a habit with me."

The Fool-Killer turned and walked out of Far- ronils.

"Wait here for me," said I, rising; "I must speak to that man. Had you no answer for him? Because you are a fool must you die like a mouse under his foot? Could you not utter one squeak in your own defence?

"You are drunk," said Kerner, heartlessly. "No one addressed me."

The Voice of the City