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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon:

of God unto salvation to every one that believeth. Therefore, since the power of the Church grants eternal things, and is exercised only by the ministry of the Word, it does not interfere with civil government; no more than the art of singing interferes with civil government. For civil government deals with other things than does the Gospel. The civil rulers defend not minds, but bodies and bodily things against manifest injuries, and restrain men with the sword and bodily punishments in order to preserve civil justice and peace.

Therefore the power of the Church and the civil power must not be confounded. The power of the Church has its own commission

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

a moment, in the flower and strength of his youth! Every room and gallery of the house resounded with sobs and shrieks of despair.

Marie, whose nervous system had been enervated by a constant course of self-indulgence, had nothing to support the terror of the shock, and, at the time her husband breathed his last, was passing from one fainting fit to another; and he to whom she had been joined in the mysterious tie of marriage passed from her forever, without the possibility of even a parting word.

Miss Ophelia, with characteristic strength and self-control, had remained with her kinsman to the last,--all eye, all ear, all attention; doing everything of the little that could be done, and


Uncle Tom's Cabin
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Sharer by Joseph Conrad:

which seemed to govern the unalterable purpose of his action.

"You must maroon me as soon as ever you can get amongst these islands off the Cambodge shore," he went on.

"Maroon you! We are not living in a boy's adventure tale," I protested. His scornful whispering took me up.

"We aren't indeed! There's nothing of a boy's tale in this. But there's nothing else for it. I want no more. You don't suppose I am afraid of what can be done to me? Prison or gallows or whatever they may please. But you don't see me coming back to explain such things to an old fellow in a wig and twelve respectable tradesmen,


The Secret Sharer
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Stories From the Old Attic by Robert Harris:

thousands of visitors. Everyone, from the young child who could barely walk to the old man who could barely walk, enjoyed its beauty frankly and openly or profited from studying its color and arrangement. Children loved to see the happy figures kicking up their feet with joy; the young people marveled at the freshness and beauty of the figures; those of mature years stood astonished at the excellent technique that could present such a convincing vision; the old remarked upon the feeling of cozy intimacy produced by the scene of innocent pleasure.

"This painting is almost too good to be true," remarked one visitor prophetically as he purchased a print of it.