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Today's Stichomancy for Michael Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rescue by Joseph Conrad:

standing here--I do care. This is something that is your very own. You have a right to it. And I repeat I do care for it."

"Care for something of my own," murmured Lingard, very close to her face. "Why should you care for my rights?"

"Because," she said, holding her ground though their foreheads were nearly touching, "because if I ever get back to my life I don't want to make it more absurd by real remorse."

Her tone was soft and Lingard received the breath of those words like a caress on his face. D'Alcacer, in the Cage, made still another effort to keep up his pacing. He didn't want to give Mr. Travers the slightest excuse for sitting up again and looking


The Rescue
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

the first days of Glennard's wooing. "I try not to cost much--but I do."

"Good Lord!" Glennard groaned.

They sat silent till at length she gently took up the argument. "As the eldest, you know, I'm bound to consider these things. Women are such a burden. Jim does what he can for mother, but with his own children to provide for it isn't very much. You see, we're all poor together."

"Your aunt isn't. She might help your mother."

"She does--in her own way."

"Exactly--that's the rich relation all over! You may be miserable

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrong Box by Stevenson & Osbourne:

chimney, the physical obstacles were insurmountable. To get it on board a train and drop it out, or on the top of an omnibus and drop it off, were equally out of the question. To get it on a yacht and drop it overboard, was more conceivable; but for a man of moderate means it seemed extravagant. The hire of the yacht was in itself a consideration; the subsequent support of the whole crew (which seemed a necessary consequence) was simply not to be thought of. His uncle and the houseboat here occurred in very luminous colours to his mind. A musical composer (say, of the name of Jimson) might very well suffer, like Hogarth's musician before him, from the disturbances of London. He might

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

part about him. So that with ease he elevates it in the air, and invariably does so when going at his utmost speed. Besides, such is the breadth of the upper part of the front of his head, and such the tapering cut-water formation of the lower part, that by obliquely elevating his head, he thereby may be said to transform himself from a bluff-bowed sluggish galliot into a sharppointed New York pilot-boat.

"Start her, start her, my men! Don't hurry yourselves; take plenty of time--but start her; start her like thunder-claps, that's all," cried Stubb, spluttering out the smoke as he spoke. "Start her, now; give 'em the long and strong stroke, Tashtego. Start her, Tash, my


Moby Dick