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Today's Stichomancy for Michael Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Mirror'd, as 't were in new existences, Itself unalterable and ever one. "Descending hence unto the lowest powers, Its energy so sinks, at last it makes But brief contingencies: for so I name Things generated, which the heav'nly orbs Moving, with seed or without seed, produce. Their wax, and that which molds it, differ much: And thence with lustre, more or less, it shows Th' ideal stamp impress: so that one tree According to his kind, hath better fruit,


The Divine Comedy (translated by H.F. Cary)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rivers to the Sea by Sara Teasdale:

With their gew-gaws still in their hands, Reeling with odorous breath And thick, coarse words on their tongues. They get them to bed, somehow,

RIVERS TO THE SEA

And sleep the forgiving, Comes thru the scattering tumult And closes their eyes. The stars sink down ashamed And the dawn awakes, Like a youth who steals from a brothel,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

creature moved, sniffing at the invisible spoor, and now and then emitting the low moan of the hunting banth.

Carthoris had followed the creature for but a few minutes when it disappeared as suddenly and mysteriously as though dissolved into thin air.

The man leaped to his feet. Not again was he to be cheated as the man had cheated him. He sprang forward at a reckless pace to the spot at which he last had seen the great, skulking brute.

Before him loomed the sheer cliff, its face unbroken by any aperture into which the huge banth might have


Thuvia, Maid of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Finished by H. Rider Haggard:

that evening if the Ivuna and Black Umfolozi Rivers proved fordable. As it chanced, although they were high, we were able to cross them, I seated on the horse which two of the Zulus led. Next we tramped for miles through the terrible Bekameezi Valley, a hot and desolate place which the Zulus swear is haunted. So unhealthy is this valley, which is the home of large game, that whole kraals full of people who have tried to cultivate the rich land, have died in it of fever, or fled away leaving their crops unreaped. Now no man dwells there. After this we climbed a terrible mount to the high land of Mahlabatini, and having eaten, pushed on once more.