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Today's Stichomancy for Michael York

The first excerpt represents the past or something you must release, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

appropriated to themselves most of the advantages which the natives might have derived from the possession of the soil; they have settled in the country, they have purchased land at a very low rate or have occupied it by force, and the Indians have been ruined by a competition which they had not the means of resisting. They were isolated in their own country, and their race only constituted a colony of troublesome aliens in the midst of a numerous and domineering people. *t

[Footnote t: See in the Legislative Documents (21st Congress, No. 89) instances of excesses of every kind committed by the whites upon the territory of the Indians, either in taking possession of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Waste Land by T. S. Eliot:

Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.

In this decayed hole among the mountains In the faint moonlight, the grass is singing Over the tumbled graves, about the chapel There is the empty chapel, only the wind's home. It has no windows, and the door swings, Dry bones can harm no one. 390 Only a cock stood on the rooftree Co co rico co co rico In a flash of lightning. Then a damp gust


The Waste Land
The third excerpt represents the future or something you must embrace, and is drawn from Herodias by Gustave Flaubert:

Aulus, and Antipas; the proconsul being near the door, at the left, Aulus on the right, the tetrarch occupying the middle couch.

Antipas wore a heavy black mantle, the texture of which was almost hidden by coloured embroideries and glittering decorations; his beard was spread out like a fan; blue powder had been scattered over his hair, and on his head rested a diadem covered with precious stones. Vitellius still wore the purple band, the emblem of his rank, crossed diagonally over a linen toga.

Aulus had tied behind his back the sleeves of his violet robe, embroidered with silver. His clustering curls were laid in carefully arranged rows; a necklace of sapphires gleamed against his throat,


Herodias