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Today's Stichomancy for Michelle Yeoh

The first excerpt represents the past or something you must release, and is drawn from Around the World in 80 Days by Jules Verne:

the inseparable Fix was the work of a brief time, and was performed by Mr. Fogg with the coolness which never abandoned him. They were on board when the Henrietta made ready to weigh anchor.

When Passepartout heard what this last voyage was going to cost, he uttered a prolonged "Oh!" which extended throughout his vocal gamut.

As for Fix, he said to himself that the Bank of England would certainly not come out of this affair well indemnified. When they reached England, even if Mr. Fogg did not throw some handfuls of bank-bills into the sea, more than seven thousand pounds would have been spent!

Chapter XXXIII

IN WHICH PHILEAS FOGG SHOWS HIMSELF EQUAL TO THE OCCASION


Around the World in 80 Days
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Roads of Destiny by O. Henry:

'Three weeks, I believe, you get. Haven't got a chew of fine-cut on you, have you?'

"'Translate that again, with foot-notes and a glossary,' says I. 'I don't know whether I'm discharged, condemned, or handed over to the Gerry Society.'

"'Oh,' says Jenks, 'don't you understand? You're to be stood up against a 'dobe wall and shot in two or three weeks--three, I think, they said.'

"'Would you mind asking 'em which?' says I. 'A week don't amount to much after you're dead, but it seems a real nice long spell while you are alive.'

The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll:

walk towards it. Let me see, is this a chair? Why, it's got branches, I declare! How very odd to find trees growing here! And actually here's a little brook! Well, this is the very queerest shop I ever saw!'

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So she went on, wondering more and more at every step, as everything turned into a tree the moment she came up to it, and she quite expected the egg to do the same.

CHAPTER VI


Through the Looking-Glass