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Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rescue by Joseph Conrad:

her in a long silence.

"I could not refuse to meet you," said Mrs. Travers at last. "I could not refuse you anything. You have all the right on your side and I don't care what you do or say. But I wonder at my own courage when I think of the confession I have to make." She advanced, laid her hand on Lingard's shoulder and spoke earnestly. "I shuddered at the thought of meeting you again. And now you must listen to my confession."

"Don't say a word," said Lingard in an untroubled voice and never taking his eyes from her face. "I know already."

"You can't," she cried. Her hand slipped off his shoulder. "Then


The Rescue
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

and entire object of art. Were this the case, the finest works would be those which most minutely correspond to their external prototypes. In sculpture, a mould taken from the living features is that which gives the most faithful representation of the model; but a well-moulded bust is far from being equal to a good statue. Photography is in many respects more accurate than painting; but no one would rank a photograph, however exquisitely executed, with an original picture. And finally, if exact imitation were the supreme object of art, the best tragedy, the best comedy, and the best drama would be a stenographic report of the proceedings in a court of justice, in a family gathering, in


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare:

That to his subject lends not some small glory; But he that writes of you, if he can tell That you are you, so dignifies his story, Let him but copy what in you is writ, Not making worse what nature made so clear, And such a counterpart shall fame his wit, Making his style admired every where. You to your beauteous blessings add a curse, Being fond on praise, which makes your praises worse.

LXXXV

My tongue-tied Muse in manners holds her still,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather:

say. Have you been in Paris much these late years?"

Hilda lowered one of the candle-shades carefully. "Oh, yes, I go over to Paris often. There are few changes in the old Quarter. Dear old Madame Anger is dead--but perhaps you don't remember her?"

"Don't I, though! I'm so sorry to hear it. How did her son turn out? I remember how she saved and scraped for him, and how he always lay abed till ten o'clock. He was the


Alexander's Bridge