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Today's Stichomancy for Naomi Campbell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life of the Spider by J. Henri Fabre:

know about her poverty of intellect. Let us wait for the hatching, which takes place in the first fortnight in September. As they come out of the pill, the youngsters, to the number of about a couple of hundred, clamber on the Spider's back and there sit motionless, jammed close together, forming a sort of bark of mingled legs and paunches. The mother is unrecognizable under this live mantilla. When the hatching is over, the wallet is loosened from the spinnerets and cast aside as a worthless rag.

The little ones are very good: none stirs none tries to get more room for himself at his neighbours' expense. What are they doing there, so quietly? They allow themselves to be carted about, like


The Life of the Spider
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

keep the prey in view. Does she give up hunting during this period, of bright sunlight? Not at all. Look again.

Wonderful! One of her hind-legs is stretched outside the leafy cabin; and the signalling-thread ends just at the tip of that leg. Whoso has not seen the Epeira in this attitude, with her hand, so to speak, on the telegraph-receiver, knows nothing of one of the most curious instances of animal cleverness. Let any game appear upon the scene; and the slumberer, forthwith aroused by means of the leg receiving the vibrations, hastens up. A Locust whom I myself lay on the web procures her this agreeable shock and what follows. If she is satisfied with her bag, I am still more


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

/Arabian Nights/."

The man was mad, I thought; but in his voice there was a potent something which I obeyed. I allowed him to lead, and he went in the direction of the Fosses de la Bastille, as if he could see; walking till he reached a lonely spot down by the river, just where the bridge has since been built at the junction of the Canal Saint-Martin and the Seine. Here he sat down on a stone, and I, sitting opposite to him, saw the old man's hair gleaming like threads of silver in the moonlight. The stillness was scarcely troubled by the sound of the far-off thunder of traffic along the boulevards; the clear night air and everything about us combined to make a strangely unreal scene.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac:

without his knowledge. Tears rolled from his eyes when they rose in hers. If to her he was Brittany and her happy childhood, to him she was life itself.

At sixteen years of age Brigaut did not yet know how to draw or to model a cornice; he was ignorant of much, but he had earned, by piece- work done in the leisure of his apprenticeship, some four or five francs a day. On this he could live in Provins and be near Pierrette; he would choose the best cabinet-maker in the town, and learn the rest of his trade in working for him, and thus keep watch over his darling.

Brigaut's mind was made up as he sat there thinking. He went back to Paris and fetched his certificate, tools, and baggage, and three days