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Today's Stichomancy for Naomi Campbell

The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare:

Smells wooingly here: no Iutty frieze, Buttrice, nor Coigne of Vantage, but this Bird Hath made his pendant Bed, and procreant Cradle, Where they must breed, and haunt: I haue obseru'd The ayre is delicate. Enter Lady.

King. See, see our honor'd Hostesse: The Loue that followes vs, sometime is our trouble, Which still we thanke as Loue. Herein I teach you, How you shall bid God-eyld vs for your paines, And thanke vs for your trouble


Macbeth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Letters by Robert Louis Stevenson:

speeches until twelve at night - O, and some more kava - when I could sit up no longer; my usual bed-time is eight, you must remember. Then one end of the house was screened off for me alone, and a bed made - you never saw such a couch - I believe of nearly fifty (half at least) fine mats, by Mataafa's daughter, Kalala. Here I reposed alone; and on the other side of the tafa, Majesty and his household. Armed guards and a drummer patrolled about the house all night; they had no shift, poor devils; but stood to arms from sun- down to sun-up.

About four in the morning, I was awakened by the sound of a

The third excerpt represents the future or something you must embrace, and is drawn from A Hero of Our Time by M.Y. Lermontov:

that by very few. I even think that I would be content with one constant attachment. A wretched habit of the heart! . . .

One thing has always struck me as strange. I have never made myself the slave of the woman I have loved. On the contrary, I have always acquired an invincible power over her will and heart, without in the least endeavouring to do so. Why is this? Is it because I never esteem any- thing highly, and she has been continually afraid to let me out of her hands? Or is it the magnetic