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Today's Stichomancy for Naomi Campbell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Market-Place by Harold Frederic:

come upstairs?"

"Never mind the cold," he replied, throwing a leg over the stool before the desk. "I can't stay more 'n a minute or two. What do you think we've done today?"

Louisa had never in her life seen her brother look so well as he did now, sprawling triumphantly upon the stool under the yellow gas-light. His strong, heavily-featured face had somehow ceased to be commonplace. It had acquired an individual distinction of its own. He looked up at her with a clear, bold eye, in which, despite its gloss of good-humour, she discerned a new authority.


The Market-Place
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lucile by Owen Meredith:

"So be it! Perish Babel, arise Babylon! From ruins like these rise the fanes that shall last, And to build up the future heaven shatters the past." "Ay," he moodily murmur'd, "and who cares to scan The heart's perish'd world, if the world gains a man? From the past to the present, though late, I appeal; To the nun Seraphine, from the woman Lucile!"

XXVII.

Lucile! . . . the old name--the old self! silenced long: Heard once more! felt once more! As some soul to the throng

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

said Winterbourne, still laughing.

"Well, what do you believe now?"

"I believe that it makes very little difference whether you are engaged or not!"

He felt the young girl's pretty eyes fixed upon him through the thick gloom of the archway; she was apparently going to answer. But Giovanelli hurried her forward. "Quick! quick!" he said; "if we get in by midnight we are quite safe."

Daisy took her seat in the carriage, and the fortunate Italian placed himself beside her. "Don't forget Eugenio's pills!" said Winterbourne as he lifted his hat.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Across The Plains by Robert Louis Stevenson:

and at last, to the red fires of sunset, night succeeds, and with the night a new forest, full of whisper, gloom, and fragrance. There are few things more renovating than to leave Paris, the lamplit arches of the Carrousel, and the long alignment of the glittering streets, and to bathe the senses in this fragrant darkness of the wood.

In this continual variety the mind is kept vividly alive. It is a changeful place to paint, a stirring place to live in. As fast as your foot carries you, you pass from scene to scene, each vigorously painted in the colours of the sun, each endeared by that hereditary spell of forests on the mind of man who still remembers