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Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the past or something you must release, and is drawn from The Mansion by Henry van Dyke:

and the story of the village was very simple. John Weightman's adventures and triumphs would have made a far richer, more imposing history,

full of contacts with the great events and personages of the time. But somehow or other he did not care to speak much about it, walking on that wide heavenly moorland, under that tranquil, sunless arch of blue, in that free air of perfect peace, where the light was diffused without a shadow, as if the spirit of life in all things

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

"Why not arrest him now?" asked the seaman bluntly.

"Because I don't know him. All second-class passengers' baggage will be searched as they land. I am hoping something from that, if all else fails. But I want you privately to instruct your stewards to watch any passenger of Oriental nationality, and to cooperate with the two Scotland Yard men who are joining you for the voyage. I look to you to recover these plans, Captain."

"I will do my best," the captain assured him.

Then, from amid the heterogeneous group on the dockside, we were watching the liner depart, and Nayland Smith's expression was a very singular one. Inspector Weymouth stood with us, a badly puzzled man. Then occurred


The Insidious Dr. Fu-Manchu
The third excerpt represents the future or something you must embrace, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

feet, and a beautiful light seemed to illumine her face.

'What an angel you are!' cried the young Duke, and he put his arm round her neck and kissed her.

CHAPTER VII

FOUR days after these curious incidents a funeral started from Canterville Chase at about eleven o'clock at night. The hearse was drawn by eight black horses, each of which carried on its head a great tuft of nodding ostrich-plumes, and the leaden coffin was covered by a rich purple pall, on which was embroidered in gold the Canterville coat-of-arms. By the side of the hearse and the coaches walked the servants with lighted torches, and the whole