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Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

left me to be true!" "What choice had you?" asked Roger Chillingworth. "My finger, pointed at this man, would have hurled him from his pulpit into a dungeon, thence, peradventure, to the gallows!" "It had been better so!" said Hester Prynne. "What evil have I done the man?" asked Roger Chillingworth again. "I tell thee, Hester Prynne, the richest fee that ever physician earned from monarch could not have bought such care as I have


The Scarlet Letter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierrette by Honore de Balzac:

make in the coming ten years in order to marry his little friend, to whom, he was told, the Rogrons were to leave their house, a hundred acres of land, and twelve thousand francs a year, not counting their savings!

The persevering Breton was determined to be thoroughly educated for his trade, and he set about acquiring all the knowledge that he lacked. As long as only the principles of his work were concerned he could learn those in Provins as well as in Paris, and thus remain near Pierrette, to whom he now became anxious to explain his projects and the sort of protection she could rely on from him. He was determined to know the reason of her pallor, and of the debility which was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Travel by Robert Louis Stevenson:

A fellow-farer true through life, Heart-whole and soul-free The august father Gave to me.

XXVII - TO THE MUSE

RESIGN the rhapsody, the dream, To men of larger reach; Be ours the quest of a plain theme, The piety of speech.

As monkish scribes from morning break Toiled till the close of light,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:

again. She didn't know how. I didn't either, and I had depended on her knowledge. It took us about half an hour, with frequent debates and consultations, though it is an absolute certainty that never in its life was that horse hitched in that particular way.

No; I can't harness up one horse. But I can four, which compels me to back up again to get to my beginning. Having selected Sonoma Valley for our abiding place, Charmian and I decided it was about time we knew what we had in our own county and the neighbouring ones. How to do it, was the first question. Among our many weaknesses is the one of being old-fashioned. We don't mix with gasolene very well. And, as true sailors should, we