|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sons and Lovers by D. H. Lawrence:
"Walter Morel!" came the ringing voice.
"Here!" piped Paul, small and inadequate.
"Morel--Walter Morel!" the cashier repeated, his finger
and thumb on the invoice, ready to pass on.
Paul was suffering convulsions of self-consciousness, and could
not or would not shout. The backs of the men obliterated him.
Then Mr. Winterbottom came to the rescue.
"He's here. Where is he? Morel's lad?"
The fat, red, bald little man peered round with keen eyes.
He pointed at the fireplace. The colliers looked round, moved aside,
and disclosed the boy.
Sons and Lovers
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fantastic Fables by Ambrose Bierce:
nothing to earn her?"
"Thou art wiser, O King, than Solyman the Great, and thy servant is
as dust in the tomb of thy dog, yet thou errest. I did not, it is
true, kill the tiger, but behold! I have brought thee the scalp of
the man who had accumulated five million pieces of gold and was
The King drew his consoler-under-disappointment, and, flicking off
Camaraladdin's head, said:
"Learn, caitiff, the expediency of uncalculating zeal. If the
millionaire had been let alone he would have devoured the tiger."
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Silas Marner by George Eliot:
truckle-bed and sitting down on it, but not long enough for her to
attempt any dangerous climbing. One bright summer's morning Silas
had been more engrossed than usual in "setting up" a new piece of
work, an occasion on which his scissors were in requisition. These
scissors, owing to an especial warning of Dolly's, had been kept
carefully out of Eppie's reach; but the click of them had had a
peculiar attraction for her ear, and watching the results of that
click, she had derived the philosophic lesson that the same cause
would produce the same effect. Silas had seated himself in his
loom, and the noise of weaving had begun; but he had left his
scissors on a ledge which Eppie's arm was long enough to reach; and
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fantastic Fables by Ambrose Bierce:
took a seat in their midst, and smiling a superior smile explained:
"After centuries of oppression I have wrested my rights from the
grasp of the jealous gods. On earth I was the Poetess of Reform,
and sang to inattentive ears. Now for an eternity of honour and
But it was not to be so, and soon she was the unhappiest of
mortals, vainly desirous to wander again in gloom by the infernal
lakes. For Jove had not bedeviled her ears, and she heard from the
lips of each blessed Shade an incessant flow of quotation from his
own works. Moreover, she was denied the happiness of repeating her
poems. She could not recall a line of them, for Jove had decreed