|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:
darken our land. Are fleets and armies necessary to a work of love and
reconciliation? Have we shown ourselves so unwilling to be reconciled that
force must be called in to win back our love? Let us not deceive ourselves,
sir. These are the implements of war and subjugation; the last arguments to
which kings resort. I ask gentlemen, sir, what means this martial array, if
its purpose be not to force us to submission? Can gentlemen assign any other
possible motive for it? Has Great Britain any enemy, in this quarter of
the world, to call for all this accumulation of navies and armies? No, sir,
she has none. They are meant for us: they can be meant for no other.
They are sent over to bind and rivet upon us those chains which the British
ministry have been so long forging. And what have we to oppose to them?
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:
of Feeling. But life would be too short for such a tedious grouping.
The whole science and art of Sight Recognition would at once perish;
Feeling, so far as it is an art, would not long survive;
intercourse would become perilous or impossible; there would be
an end to all confidence, all forethought; no one would be safe
in making the most simple social arrangements; in a word,
civilization would relapse into barbarism.
Am I going too fast to carry my Readers with me to these
obvious conclusions? Surely a moment's reflection, and a single
instance from common life, must convince every one that our whole
social system is based upon Regularity, or Equality of Angles.
Flatland: A Romance of Many Dimensions
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reef by Edith Wharton:
enemies. Then the tears swelled in her throat at his
"You mean I don't feel things--I'm too hard?"
"No: you're too high...too fine...such things are too far
He paused, as if conscious of the futility of going on with
whatever he had meant to say, and again, for a short space,
they confronted each other, no longer as enemies--so it
seemed to her--but as beings of different language who had
forgotten the few words they had learned of each other's
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Drama on the Seashore by Honore de Balzac:
one had overpaid him on a bill. At last, one day the mother was robbed
of everything. During one of his father's fishing-trips Jacques
carried off all she had, furniture, pots and pans, sheets, linen,
everything; he sold it to go to Nantes and carry on his capers there.
The poor mother wept day and night. This time it couldn't be hidden
from the father, and she feared him--not for herself, you may be sure
of that. When Pierre Cambremer came back and saw furniture in his
house which the neighbors had lent to his wife, he said,--
"'What is all this?'
"The poor woman, more dead than alive, replied:
"'We have been robbed.'