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Today's Stichomancy for Nicky Hilton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Octopus by Frank Norris:

butcher's cart from Guadalajara."

The tension was relaxed. The men drew long breaths, settling back in their places.

"Do we let him go on, Governor?"

"The bridge is down. He can't go by and we must not let him go back. We shall have to detain him and question him. I wonder the marshal let him pass."

The cart approached at a lively trot.

"Anybody else in that cart, Mr. Annixter?" asked Magnus. "Look carefully. It may be a ruse. It is strange the marshal should have let him pass."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Lear by William Shakespeare:

Only she comes too short, that I profess Myself an enemy to all other joys Which the most precious square of sense possesses, And find I am alone felicitate In your dear Highness' love. Cor. [aside] Then poor Cordelia! And yet not so; since I am sure my love's More richer than my tongue. Lear. To thee and thine hereditary ever Remain this ample third of our fair kingdom, No less in space, validity, and pleasure

King Lear
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

was still old and experienced, if a trifle less courageous, that Sunday morning.

Promptly in ten minutes Olga brought the breakfast, two rolls, two pats of butter--shades of the sleeping mistress and Katrina the thrifty--and a cup of coffee. On the tray was a bit of paper torn from a notebook:--

"Part of the prescription is an occasional walk in good company. Will you walk with me this afternoon? I would come in person to ask you, but am spending the morning in my bathrobe, while my one remaining American suit is being pressed.

"P. B."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Across The Plains by Robert Louis Stevenson:

nearer hand. I came upon a road, and, to my surprise, a stile. A step or two farther, and, without leaving the woods, I found myself among trim houses. I walked through street after street, parallel and at right angles, paved with sward and dotted with trees, but still undeniable streets, and each with its name posted at the corner, as in a real town. Facing down the main thoroughfare - "Central Avenue," as it was ticketed - I saw an open-air temple, with benches and sounding-board, as though for an orchestra. The houses were all tightly shuttered; there was no smoke, no sound but of the waves, no moving thing. I have never been in any place that seemed so dreamlike. Pompeii is all in a bustle with visitors, and