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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chronicles of the Canongate by Walter Scott:

going to decay without having been inhabited. There were about the mansion, though deserted, none of the slow mouldering touches of time, which communicate to buildings, as to the human frame, a sort of reverence, while depriving them of beauty and of strength. The disconcerted schemes of the Laird of Castle Treddles had resembled fruit that becomes decayed without ever having ripened. Some windows broken, others patched, others blocked up with deals, gave a disconsolate air to all around, and seemed to say, "There Vanity had purposed to fix her seat, but was anticipated by Poverty."

To the inside, after many a vain summons, I was at length

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Danny's Own Story by Don Marquis:

Which was the best thing had been said of Hank in that town fur years and years.

Old Mis' Primrose, she always prided herself on being honest, no matter what come, and she ups and says:

"I don't believe in no hippercritics at a time like this, no more'n no other time. The departed wasn't no good, and the hull town knowed it; and Elmira orter feel like it's good riddance of bad rubbish and them is my sentiments and the senti- ments of rightfulness."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Time Machine by H. G. Wells:

and bells and modes of conveyance, and the like conveniences, during my time in this real future. In some of these visions of Utopias and coming times which I have read, there is a vast amount of detail about building, and social arrangements, and so forth. But while such details are easy enough to obtain when the whole world is contained in one's imagination, they are altogether inaccessible to a real traveller amid such realities as I found here. Conceive the tale of London which a negro, fresh from Central Africa, would take back to his tribe! What would he know of railway companies, of social movements, of telephone and telegraph wires, of the Parcels Delivery Company,


The Time Machine
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum:

them on all sides, and the captain was calling out in a harsh voice:

"Surrender! You are our prisoners."

"What's a pris'ner?" asked Button-Bright.

"A prisoner is a captive," replied the fox-captain, strutting up and down with much dignity.

"What's a captive?" asked Button-Bright.

"You're one," said the captain.

That made the shaggy man laugh

"Good afternoon, captain," he said, bowing politely to all the foxes and very low to their commander. "I trust you are in good health, and that your families are all well?"


The Road to Oz