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Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

from the fields indeed, but in a criminal inglorious fashion, and afterwards we were ashamed. We had our days of adventure, but they were natural accidents, our own adventures. There was one hot day when several of us, walking out towards Maidstone, were incited by the devil to despise ginger beer, and we fuddled ourselves dreadfully with ale; and a time when our young minds were infected to the pitch of buying pistols, by the legend of the Wild West. Young Roots from Highbury came back with a revolver and cartridges, and we went off six strong to live a free wild life one holiday afternoon. We fired our first shot deep in the old flint mine at Chiselstead, and nearly burst our

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

somewhat. Jerome and others knew nothing of it. The silence in the Church concerning the difference between the Law and the Gospel has resulted in untold harm. Unless a sharp distinction is maintained between the purpose and function of the Law and the Gospel, the Christian doctrine cannot be kept free from error.

VERSE 19. It was added because of transgressions.

In other words, that transgressions might be recognized as such and thus increased. When sin, death, and the wrath of God are revealed to a person by the Law, he grows impatient, complains against God, and rebels. Before that he was a very holy man; he worshipped and praised God; he bowed his knees before God and gave thanks, like the Pharisee. But now that sin

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Around the World in 80 Days by Jules Verne:

of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults.

As a last scene, a "human pyramid" had been announced, in which fifty Long Noses were to represent the Car of Juggernaut. But, instead of forming a pyramid by mounting each other's shoulders, the artists were to group themselves on top of the noses. It happened that the performer who had hitherto formed the base of the Car had quitted the troupe, and as, to fill this part, only strength and adroitness were necessary, Passepartout had been chosen to take his place.


Around the World in 80 Days
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kidnapped by Robert Louis Stevenson:

what extent I may be trusted."

Indeed he was more pedantic than I can represent him, and placed more scraps of Latin in his speech; but it was all uttered with a fine geniality of eye and manner which went far to conquer my distrust. Moreover, I could see he now treated me as if I was myself beyond a doubt; so that first point of my identity seemed fully granted.

"Sir," said I, "if I tell you my story, I must commit a friend's life to your discretion. Pass me your word it shall be sacred; and for what touches myself, I will ask no better guarantee than just your face."


Kidnapped