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Today's Stichomancy for Nicole Kidman

The first excerpt represents the past or something you must release, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

went up in the air and disappeared from the earth. It was a pity, but it was necessary. We could not afford to let the enemy turn our own weapons against us.

Now ensued one of the dullest quarter-hours I had ever endured. We waited in a silent solitude enclosed by our circles of wire, and by a circle of heavy smoke outside of these. We couldn't see over the wall of smoke, and we couldn't see through it. But at last it began to shred away lazily, and by the end of another quarter-hour the land was clear and our curiosity was enabled to satisfy itself. No living creature was in

A Connecticut Yankee in King Arthur's Court
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Crowd by Gustave le Bon:

root of all civilisations--The social necessity of illusions--Crowds always prefer them to truths. 3. EXPERIENCE. Experience alone can fix in the mind of crowds truths become necessary and destroy illusions grown dangerous--Experience is only effective on the condition that it be frequently repeated--The cost of the experiences requisite to persuade crowds. 4. REASON. The nullity of its influence on crowds--Crowds only to be influenced by their unconscious sentiments-- The role of logic in history--The secret causes of improbable events.

We have just investigated the remote and preparatory factors

The third excerpt represents the future or something you must embrace, and is drawn from Unconscious Comedians by Honore de Balzac:

on the contrary, with the simplicity a notary might have shown when asking the intentions of a client about a deed. Presently she shuffled the cards, and asked Gazonal to cut them, and then to make three packs of them himself. After which she took the packs, spread them out before her, and examined them as a gambler examines the thirty-six numbers at roulette before he risks his stake. Gazonal's bones were freezing; he seemed not to know where he was; but his amazement grew greater and greater when this hideous old woman in a green bonnet, stout and squat, whose false front was frizzed into points of interrogation, proceeded, in a thick voice, to relate to him all the particular circumstances, even the most secret, of his past life: she