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Today's Stichomancy for Pamela Anderson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

of many gestures and expressions. As an illustration of what he calls symbolic movements, I will quote his remarks (p. 37), taken from M. Chevreul, on a man playing at billiards. "Si une bille devie legerement de la direction que le joueur pretend zlui imprimer, ne l'avez-vous pas vu cent fois la pousser du regard, de la tete et meme des epaules, comme si ces mouvements, purement symboliques, pouvaient rectifier son trajet? Des mouvements non moins significatifs se produisent quand la bille manque d'une impulsion suffisante. Et cliez les joueurs novices, ils sont quelquefois accuses au point d'eveiller le sourire sur les levres des spectateurs." Such movements, as it appeirs to me, may be attributed simply to habit.


Expression of Emotion in Man and Animals
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Theaetetus by Plato:

considerable fortune.

THEODORUS: Theaetetus, Socrates, is his name; but I rather think that the property disappeared in the hands of trustees; notwithstanding which he is wonderfully liberal.

SOCRATES: He must be a fine fellow; tell him to come and sit by me.

THEODORUS: I will. Come hither, Theaetetus, and sit by Socrates.

SOCRATES: By all means, Theaetetus, in order that I may see the reflection of myself in your face, for Theodorus says that we are alike; and yet if each of us held in his hands a lyre, and he said that they were tuned alike, should we at once take his word, or should we ask whether he who said so was or was not a musician?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

the griefs of other ages in the stronger male voices and the quavering of the priests,--all this strident harmony, big with lightning and thunderbolts, does it not speak with equal force to the daring imagination, the coldest heart, nay, to philosophers themselves? As we hear it, we think God speaks; the vaulted arches of no church are mere material; they have a voice, they tremble, they scatter fear by the might of their echoes. We think we see unnumbered dead arising and holding out their hands. It is no more a father, a wife, a child,-- humanity itself is rising from its dust.

It is impossible to judge of the catholic, apostolic, and Roman faith, unless the soul has known that deepest grief of mourning for a loved


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

radiation. Because of these two readings, all north shelter personnel were immediately evacuated to the Base Camp, 25 kilometers to the south. Film badges worn by personnel stationed at the north shelter, however, showed no radiation exposure above the detectable level. It was later discovered that the meter of the detector in the north shelter had not retained its zero calibration setting, and radiation at the north shelter had not reached levels high enough to result in measurable exposures of the personnel who had been positioned there. However, fallout activity was later detected in the north shelter area, proof that part of the cloud did head in that direction. This also explains why the monitoring device detected rising radiation