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Today's Stichomancy for Pamela Anderson

The first excerpt represents the past or something you must release, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

and, returning to the loft, had the gratification to find two that fitted pretty well. In one of the portmanteaux there was a shagreen letter-case, which I cut open with my knife; and thenceforth (so far as any credit went) the man was at my mercy. Here was a vast deal of gallant correspondence, chiefly of his Paris days; and, what was more to the purpose, here were the copies of his own reports to the English Secretary, and the originals of the Secretary's answers: a most damning series: such as to publish would be to wreck the Master's honour and to set a price upon his life. I chuckled to myself as I ran through the documents; I rubbed my hands, I sang aloud in my glee. Day found

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Some Reminiscences by Joseph Conrad:

tail-less coat and huge Cossack trousers, that being the livery of the men about the stables. It must have been in 1864, but reckoning by another mode of calculating time, it was certainly in the year in which my mother obtained permission to travel south and visit her family, from the exile into which she had followed my father. For that, too, she had had to ask permission, and I know that one of the conditions of that favour was that she should be treated exactly as a condemned exile herself. Yet a couple of years later, in memory of her eldest brother who had served in the Guards and dying early left hosts of friends and a loved memory in the great world of St.


Some Reminiscences
The third excerpt represents the future or something you must embrace, and is drawn from Bunner Sisters by Edith Wharton:

bending one evening over the breadths of pearl-grey cashmere which in spite of the dress-maker's prophetic vision of gored satin, had been judged most suitable, when Evelina came into the room alone.

Ann Eliza had already had occasion to notice that it was a bad sign when Mr. Ramy left his affianced at the door. It generally meant that Evelina had something disturbing to communicate, and Ann Eliza's first glance told her that this time the news was grave.

Miss Mellins, who sat with her back to the door and her head bent over her sewing, started as Evelina came around to the opposite side of the table.

"Mercy, Miss Evelina! I declare I thought you was a ghost,