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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Innocence and Experience by William Blake:

A happy fly. If I live, Or if I die.


I dreamt a dream! What can it mean? And that I was a maiden Queen Guarded by an Angel mild: Witless woe was ne'er beguiled!

And I wept both night and day, And he wiped my tears away; And I wept both day and night,

Songs of Innocence and Experience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad:

not that sentiment, strong as it was, which resumes for me the force and the significance of his personality. It is overborne by another and complex impression of awe, compassion and horror. Mr. Nicholas B. remains for me the unfortunate and miserable (but heroic) being who once upon a time had eaten a dog.

It is a good forty years since I heard the tale, and the effect has not worn off yet. I believe this is the very first, say, realistic, story I heard in my life; but all the same I don't know why I should have been so frightfully impressed. Of course I know what our village dogs look like--but still. . .No! At this very day, recalling the horror and compassion of my

Some Reminiscences
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

not but that now be as good a time as any. If we come near enough to the King's men on this trip south, the gibbet shall have its own and a Plantagenet dog shall taste the fruits of his own tyranny," then glancing up and realizing that Spizo the Spaniard had been a listen- er, the old man, scowling, cried:

"What said I, sirrah? What didst hear?"

"Naught, My Lord; thou didst but mutter incoher- ently", replied the Spaniard.

The old man eyed him closely.

"An did I more, Spizo, thou heardst naught but mut-

The Outlaw of Torn
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Sportsman by Xenophon:

uneven ground, and those of equal length on level. They should be sharp-tipped so as to draw out easily[16] and smooth throughout. Those for the road nets should be twice the height,[17] and those for the big (haye) nets five spans long,[18] with small forks, the notches not deep; they should be stout and solid, of a thickness proportionate to their length. The number of props needed for the nets will vary--many or few, according to circumstances; a less number if the tension on the net be great, and a larger number when the nets are slack.[19]

[3] Phasian or Carchedonian. Cf. Pollux, v. 26.

[4] {arkus, enodia, diktua}.

[5] [L. Dind. brackets.] See Pollux, v. 27, ap. Schn.