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Today's Stichomancy for Pierce Brosnan

The first excerpt represents the past or something you must release, and is drawn from Father Goriot by Honore de Balzac:

that he would walk home at daybreak from the dance, as he had done sometimes on former occasions, after a fete at the Prado, or a ball at the Odeon, splashing his silk stockings thereby, and ruining his pumps.

It so happened that Christophe took a look into the street before drawing the bolts of the door; and Rastignac, coming in at that moment, could go up to his room without making any noise, followed by Christophe, who made a great deal. Eugene exchanged his dress suit for a shabby overcoat and slippers, kindled a fire with some blocks of patent fuel, and prepared for his night's work in such a sort that the faint sounds he made were drowned by

Father Goriot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young:

to put the last rock on top of the stone chimney, she said: ``No, Bessie Bell: some are Mamas, and some are only just Ladies.''

There. There it was again: Only-Just-Ladies.

Bessie Bell wondered how to tell which were Mamas, and which were Ladies--just Ladies.

Very often after that day she watched those who passed the cabin where she and Sister Helen Vincula lived, and wondered which were Mamas--

And which were Ladies.

There was no rule of old or young by which Bessie Bell could tell.

Nor was it as one could tell Sisters from Just-Ladies by a way of

The third excerpt represents the future or something you must embrace, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

predecessor, he was to take the name of his tribe as his own.

Faster and faster grew the pace of the dancers, louder and louder their wild and savage shouts. The women rose and fell in unison, shrieking now at the tops of their voices. The spears were brandishing fiercely, and as the dancers stooped down and beat their shields upon the hard-tramped earth of the village street the whole sight was as terribly primeval and savage as though it were being staged in the dim dawn of humanity, countless ages in the past.

As the excitement waxed the ape-man sprang to his feet and joined in the wild ceremony. In the center of the

The Return of Tarzan