Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Rachel Weisz

The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

winter, and Maria Blond, the same who had just made her first appearance at the Folies-Dramatiques. Meanwhile La Faloise stopped him at every step in hopes of receiving an invitation. He ended by offering himself, and Vandeuvres engaged him in the plot at once; only he made him promise to bring Clarisse with him, and when La Faloise pretended to scruple about certain points he quieted him by the remark:

"Since I invite you that's enough!"

Nevertheless, La Faloise would have much liked to know the name of the hostess. But the countess had recalled Vandeuvres and was questioning him as to the manner in which the English made tea. He

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato:

increased precision and also increased clearness are required of him. The familiar use of logic, and the progress of science, have in these two respects raised the standard. But modern languages, while they have become more exacting in their demands, are in many ways not so well furnished with powers of expression as the ancient classical ones.

Such are a few of the difficulties which have to be overcome in the work of translation; and we are far from having exhausted the list. (6) The excellence of a translation will consist, not merely in the faithful rendering of words, or in the composition of a sentence only, or yet of a single paragraph, but in the colour and style of the whole work. Equability of tone is best attained by the exclusive use of familiar and

The third excerpt represents the future or something you must embrace, and is drawn from The Wrong Box by Stevenson & Osbourne:

Morris carried his hand to his brow and looked at it; it was wet with sweat. 'Fever,' said he.

'No, it was a Broadwood grand,' said Michael. 'Pitman here will tell you if it was genuine or not.'

'Eh? O! O yes, I believe it was a genuine Broadwood; I have played upon it several times myself,' said Pitman. 'The three-letter E was broken.'

'Don't say anything more about pianos,' said Morris, with a strong shudder; 'I'm not the man I used to be! This--this other man--let's come to him, if I can only manage to follow. Who is he? Where can I get hold of him?'