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Today's Stichomancy for Ricky Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

And then regardest whither he has run, Thou shalt behold the white changed into brown.

In verity the Jordan backward turned, And the sea's fleeing, when God willed were more A wonder to behold, than succour here."

Thus unto me he said; and then withdrew To his own band, and the band closed together; Then like a whirlwind all was upward rapt.

The gentle Lady urged me on behind them Up o'er that stairway by a single sign, So did her virtue overcome my nature;


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

Engels, they cannot themselves be accused of any glorification of the State.

The Manifesto ends with an appeal to the wage- earners of the world to rise on behalf of Communism. ``The Communists disdain to conceal their views and aims. They openly declare that their ends can be attained only by the forcible overthrow of all existing social conditions. Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win. Working men of all countries, unite!''

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from New Arabian Nights by Robert Louis Stevenson:

"I was going to say," resumed Stubbs, "that a fellow may be a clerk and paint almost as much as he likes. I know a fellow in a bank who makes capital water-colour sketches; he even sold one for seven-and-six."

To both the women this seemed a plank of safety; each hopefully interrogated the countenance of her lord; even Elvira, an artist herself! - but indeed there must be something permanently mercantile in the female nature. The two men exchanged a glance; it was tragic; not otherwise might two philosophers salute, as at the end of a laborious life each recognised that he was still a mystery to his disciples.