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Today's Stichomancy for Ringo Starr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

the bloody conflict.

The moment I entered the room I saw that some one had been there since I had left. A silk lay upon the floor. It had not been there before. There were also a dagger and several metal ornaments strewn about as though torn from their wearer in a struggle. But worst of all, the door leading to the pits where I had hidden my Princess was ajar.

With a bound I was before it, and, thrusting it open, rushed within. Dejah Thoris had vanished. I called her name aloud again and again, but there was no response. I think in that instant I hovered upon the verge of insanity. I do not


The Gods of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jane Eyre by Charlotte Bronte:

imperturbably and with as much acumen as ever.

"You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my CHARITY (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?"

"I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution."

"Indeed you SHALL stay here," said Diana, putting her white hand on


Jane Eyre
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

paper, but the mere catalogue of news soon palled upon him, and Clarke would find himself casting glances of warm desire in the direction of an old Japanese bureau, which stood at a pleasant distance from the hearth. Like a boy before a jam-closet, for a few minutes he would hover indecisive, but lust always prevailed, and Clarke ended by drawing up his chair, lighting a candle, and sitting down before the bureau. Its pigeon-holes and drawers teemed with documents on the most morbid subjects, and in the well reposed a large manuscript volume, in which he had painfully entered he gems of his collection. Clarke had a fine contempt for published literature; the most ghostly story


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James:

novel in three volumes, "Deep Down," about which, in THE MIDDLE, he had been really splendid. He appreciated my present eagerness and undertook that the periodical in question should do no less; then at the last, with his hand on the door, he said to me: "Of course you'll be all right, you know." Seeing I was a trifle vague he added: "I mean you won't be silly."

"Silly - about Vereker! Why what do I ever find him but awfully clever?"

"Well, what's that but silly? What on earth does 'awfully clever' mean? For God's sake try to get AT him. Don't let him suffer by our arrangement. Speak of him, you know, if you can, as I should