Today's Stichomancy for Robert Redford

"It's a different way of thinking, I suppose," said I; "I was brought up to this one by my father before me."

"Glory to his bones! he has left a decent son to his name," says he. "Yet I would not have you judge me over-sorely. My case is dooms hard. See, sir, ye tell me ye're a Whig: I wonder what I am. No Whig to be sure; I couldnae be just that. But - laigh in your ear, man - I'm maybe no very keen on the other side."

"Is that a fact?" cried I. "It's what I would think of a man of your intelligence."

"Hut! none of your whillywhas!" cries he. "There's intelligence upon both sides. But for my private part I have no particular desire to

of poor Logan:--

"The horrid plough has rased the green Where yet a child I strayed; The axe has fell'd the hawthorn screen, The schoolboy's summer shade."

I hope, however, the threatened devastation will not be consummated in my day. Although the adventurous spirit of times short while since passed gave rise to the undertaking, I have been encouraged to think that the subsequent changes have so far damped the spirit of speculation that the rest of the woodland footpath leading to Aunt Margaret's retreat will be left

Better things than these I remember: the companions with whom I have followed the stream in days long past; the rendezvous with a comrade at the place where the rustic bridge crosses the brook; the hours of sweet converse beside the friendship-fire; the meeting at twilight with my lady Graygown and the children, who have come down by the wood-road to walk home with me.

Surely it is pleasant to follow an old stream. Flowers grow along its banks which are not to be found anywhere else in the wide world. "There is rosemary, that ‘s for remembrance; and there is pansies, that ‘s for thoughts!"

One May evening, a couple of years since, I was angling in the

in which his father lived; the penetrating influences of the damp close air, the mustiness diffused by old tapestries and presses thickly covered with dust had passed into him, and now he stood in the old man's antiquated room, in the repulsive presence of the deathbed, beside a dying fire. A flickering lamp on a Gothic table sent broad uncertain shafts of light, fainter or brighter, across the bed, so that the dying man's face seemed to wear a different look at every moment. The bitter wind whistled through the crannies of the ill-fitting casements; there was a smothered sound of snow lashing the windows. The harsh contrast of these sights and sounds with the scenes which Don Juan had just quitted