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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Communist Manifesto by Karl Marx:

by the Communists. The Communists have no need to introduce community of women; it has existed almost from time immemorial.

Our bourgeois, not content with having the wives and daughters of their proletarians at their disposal, not to speak of common prostitutes, take the greatest pleasure in seducing each other's wives.

Bourgeois marriage is in reality a system of wives in common and thus, at the most, what the Communists might possibly be reproached with,


The Communist Manifesto
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

engagement."

He turned to go; but almost at the same moment he was conscious of a duality of intention wherein his apparent wish to leave revealed itself as a last effort of the will against the overmastering desire to stay and unbosom himself to Flamel.

The older man, as though divining the conflict, laid a detaining pressure on his arm.

"Won't the engagement keep? Sit down and try one of these cigars. I don't often have the luck of seeing you here."

"I'm rather driven just now," said Glennard, vaguely. He found himself seated again, and Flamel had pushed to his side a low

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mistress Wilding by Rafael Sabatini:

realize the grossness of the thing he had done and the unlikelihood of its being forgiven him, there was no saying but that to protect himself he might betray Wilding's share in the plot that was being hatched. That in itself would be bad enough; but there might be worse, for he could scarcely betray Wilding without betraying others and - what mattered most - the Cause itself. He must be dealt with out of hand, Trenchard opined, and dealt with ruthlessly.

"I think, Anthony," said he, "that we have had words enough. Shall you be disposing of Mr. Westmacott to-morrow, or must I be doing it for you?"

With a gasp of dismay young Richard twisted in his chair to confront

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Pons by Honore de Balzac:

"I know Gerard and David and Gros and Griodet, and M. de Forbin and M. Turpin de Crisse--"

"You ought--"

"Ought what, sir?" demanded the lady, gazing at her husband with the air of a Queen of Sheba.

"To know a Watteau when you see it, my dear. Watteau is very much in fashion," answered the President with meekness, that told plainly how much he owed to his wife.

This conversation took place a few days before that night of first performance of /The Devil's Betrothed/, when the whole orchestra noticed how ill Pons was looking. But by that time all the circle of