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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Before Adam by Jack London:

narrative, I must tell of Red-Eye. He was caught with his wife in a tree down by the blueberry swamp. The Swift One and I stopped long enough in our flight to see. The Fire-Men were too intent upon their work to notice us, and, furthermore, we were well screened by the thicket in which we crouched.

Fully a score of the hunters were under the tree, discharging arrows into it. They always picked up their arrows when they fell back to earth. I could not see Red-Eye, but I could hear him howling from somewhere in the tree.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

it, you should read the fourth and fifth books of the sixth Ennead, especially if you be lucky enough to light on a copy of that rare book, Taylor's faithful though crabbed translation.

Not that the result of his search is altogether satisfactory. He enters into subtle and severe disquisitions concerning soul. Whether it is one or many. How it can be both one and many. He has the strongest perception that, to use the noble saying of the Germans, "Time and Space are no gods." He sees clearly that the soul, and the whole unseen world of truly existing being, is independent of time and space: and yet, after he has wrestled with the two Titans, through page after page, and apparently conquered them, they slip in again unawares into the battle-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moll Flanders by Daniel Defoe:

the door. 'Mrs. Betty,' said he, 'I fancied before somebody was coming upstairs, but it was not so; however,' adds he, 'if they find me in the room with you, they shan't catch me a-kissing of you.' I told him I did not know who should be coming upstairs, for I believed there was nobody in the house but the cook and the other maid, and they never came up those stairs. 'Well, my dear,' says he, ''tis good to be sure, however'; and so he sits down, and we began to talk. And now, though I was still all on fire with his first visit, and said little, he did as it were put words in my mouth, telling me how passionately he loved me, and that though he could not mention such a thing

Moll Flanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agnes Grey by Anne Bronte:

'But if you don't tell me, I shall kill them myself - much as I hate it.'

'You daren't. You daren't touch them for your life! because you know papa and mamma, and uncle Robson, would be angry. Ha, ha! I've caught you there, Miss!'

'I shall do what I think right in a case of this sort without consulting any one. If your papa and mamma don't happen to approve of it, I shall be sorry to offend them; but your uncle Robson's opinions, of course, are nothing to me.'

So saying - urged by a sense of duty - at the risk of both making myself sick and incurring the wrath of my employers - I got a large

Agnes Grey