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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Prince of Bohemia by Honore de Balzac:

and more than I should wish in brilliant and generous natures; it is gallantry after the fashion of the Marechal de Richelieu, high spirits and frolic carried rather too far; perhaps we may see in it the /outrances/ of another age, the Eighteenth Century pushed to extremes; it harks back to the Musketeers; it is an exploit stolen from Champcenetz; nay, such light-hearted inconstancy takes us back to the festooned and ornate period of the old court of the Valois. In an age as moral as the present, we are bound to regard audacity of this kind sternly; still, at the same time that 'cornet of sugar-plums' may serve to warn young girls of the perils of lingering where fancies, more charming than chastened, come thickly from the first; on the rosy

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

The youth was on the point of unburdening his soul to this stranger with the kindly voice and the honest eyes; but a sudden fear stayed his tongue. If he told all it would be necessary to reveal certain details that he could not bring himself to reveal to anyone, and so he commenced with his introduction to the wayfarers in the deserted hay barn. Briefly he told of the attack upon him, of his shooting of Dopey Charlie, of the flight and pursuit. "And now," he said in conclusion, "that you know I'm a murderer I suppose you won't have any more to do with me, unless you turn me over to the


The Oakdale Affair
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato:

speech are possible, for to think or to say what is not--is falsehood, which thus arises in the region of thought and in speech.

THEAETETUS: That is quite true.

STRANGER: And where there is falsehood surely there must be deceit.

THEAETETUS: Yes.

STRANGER: And if there is deceit, then all things must be full of idols and images and fancies.

THEAETETUS: To be sure.

STRANGER: Into that region the Sophist, as we said, made his escape, and, when he had got there, denied the very possibility of falsehood; no one, he argued, either conceived or uttered falsehood, inasmuch as not-being did

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from From the Earth to the Moon by Jules Verne:

earth is nearest the sun she is in her perihelion; and in her aphelion at the farthest point. Speaking of the moon, she is nearest to the earth in her perigee, and farthest from it in her apogee. To use analogous expressions, with which the astronomers' language is enriched, if the projectile remains as a satellite of the moon, we must say that it is in its "aposelene" at its farthest point, and in its "periselene" at its nearest. In the latter case, the projectile would attain its maximum of speed; and in the former its minimum. It was evidently moving toward its aposelenitical point; and Barbicane had reason to think that its speed would decrease up to this


From the Earth to the Moon