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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the past or something you must release, and is drawn from One Basket by Edna Ferber:

well go, after all. Nobody'd miss her, unless it was her father, and he didn't see her but about a third of the time. But in Tessie's heart was a great envy of this girl who could bridge the hideous waste of ocean that separated her from her man. Bleeding France. Yeh! Joke!

The Hatton place, built and landscaped twenty years before, occupied a square block in solitary grandeur, the show place of Chippewa. In architectural style it was an impartial mixture of Norman castle, French chateau, and Rhenish schloss, with a dash of Coney Island about its facade. It represented Old Man Hatton's realized dream of landed magnificence.


One Basket
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Love Songs by Sara Teasdale:

That Love may starve therein And trouble me no more."

But over the roofs there came The wet new wind of May, And a tune blew up from the curb Where the street-pianos play.

My room was white with the sun And Love cried out in me, "I am strong, I will break your heart Unless you set me free."

Tides

The third excerpt represents the future or something you must embrace, and is drawn from The Second Jungle Book by Rudyard Kipling:

and they might find themselves stepping into Sedna's country side by side with all sorts of wild Things, the flush of excitement still on them. When they left the hut after the gale, the noise on the horizon was steadily growing, and the tough ice moaned and buzzed all round them.

"It is still waiting," said Kotuko.

On the top of a hummock sat or crouched the eight-legged Thing that they had seen three days before--and it howled horribly.

"Let us follow," said the girl. "It may know some way that does not lead to Sedna"; but she reeled from weakness as she took the pulling-rope. The Thing moved off slowly and clumsily across the


The Second Jungle Book