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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke:

forty feet and not be killed--they talk of it yet all through the valley of the Lake St. John--it was a miracle! But Vaillantcoeur had broken only a nose, a collar-bone, and two ribs--for one like him that was but a bagatelle. A good doctor from Chicoutimi, a few months of nursing, and he would be on his feet again, almost as good a man as he had ever been.

It was Leclere who put himself in charge of this.

"It is my affair," he said--"my fault! It was not a fair place to fight. Why did I strike? I must attend to this bad work."

"MAIS, SACRE BLEU!" they answered, "how could you help it? He forced you. You did not want to be killed. That would be a little

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

with you when you went into the veld or to the wars; and you could have as much champagne and other things as you liked. At that moment that seemed to Peter more important than going to Sandringham.

He took out his flask of Cape Smoke, and drew a tiny draught from it.

Other men had come to South Africa with nothing, and had made everything! Why should not he?

He stuck small branches under the two great logs, and a glorious flame burst out. Then he listened again intently. The wind was falling and the night was becoming very still. It was a quarter to twelve now. His back ached, and he would have liked to lie down; but he dared not, for fear he should drop asleep. He leaned forward with his hands between his crossed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

known in the time of Aristotle by the name of the sea-dragon, which are dangerous to capture on account of the spikes on their back.

About four o'clock, the soil, generally composed of a thick mud mixed with petrified wood, changed by degrees, and it became more stony, and seemed strewn with conglomerate and pieces of basalt, with a sprinkling of lava. I thought that a mountainous region was succeeding the long plains; and accordingly, after a few evolutions of the Nautilus, I saw the southerly horizon blocked by a high wall which seemed to close all exit. Its summit evidently passed the level of the ocean. It must be a continent, or at least an island--one of the Canaries, or of the Cape Verde Islands. The bearings not being yet taken, perhaps designedly, I was ignorant


20,000 Leagues Under the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

placed on the tea-tray. It was evident that Victor had returned. He wondered if he had met the men in the hall as they were leaving the house and had wormed out of them what they had been doing. He would be sure to miss the picture--had no doubt missed it already, while he had been laying the tea-things. The screen had not been set back, and a blank space was visible on the wall. Perhaps some night he might find him creeping upstairs and trying to force the door of the room. It was a horrible thing to have a spy in one's house. He had heard of rich men who had been blackmailed all their lives by some servant who had read a letter, or overheard a conversation, or picked up a card with an address,


The Picture of Dorian Gray