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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the past or something you must release, and is drawn from Russia in 1919 by Arthur Ransome:

of things to an end. Just as in our dealings with other countries we exchange goods instead of paying in money, so within our own frontiers money is ceasing to be the sole medium of exchange. Gradually the workmen are coming to receive more and more in other forms than money. Houses, for example, lighting and heating are only a beginning. These things being state monopolies, the task of supplying the workman's needs without the use of money is comparatively easy. The chief difficulty is, of course, food supplies, which depend on our ability to keep up an exchange of goods with the villages. If we can supply

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Far From the Madding Crowd by Thomas Hardy:

ally detained in Casterbridge through having to give notice to the authorities of what had happened; and he then found that Boldwood had also entered the town, and delivered himself up. In the meantime the surgeon, having hastened into the hall at Boldwood's, found it in darkness and quite deserted. He went on to the back of the house, where he discovered in the kitchen an old man, of whom he made inquiries. "She's had him took away to her own house, sir," said his informant.

Far From the Madding Crowd
The third excerpt represents the future or something you must embrace, and is drawn from New Poems by Robert Louis Stevenson:


THE summer sun shone round me, The folded valley lay In a stream of sun and odour, That sultry summer day.

The tall trees stood in the sunlight As still as still could be, But the deep grass sighed and rustled And bowed and beckoned me.

The deep grass moved and whispered And bowed and brushed my face.