Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iliad by Homer:

parting of Achaeans and Trojans is at hand, as well it may be, seeing how much have suffered for my quarrel with Alexandrus and the wrong he did me. Let him who shall die, die, and let the others fight no more. Bring, then, two lambs, a white ram and a black ewe, for Earth and Sun, and we will bring a third for Jove. Moreover, you shall bid Priam come, that he may swear to the covenant himself; for his sons are high-handed and ill to trust, and the oaths of Jove must not be transgressed or taken in vain. Young men's minds are light as air, but when an old man comes he looks before and after, deeming that which shall be fairest upon both sides."

The Iliad
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lost Princess of Oz by L. Frank Baum:

a loud voice, "Ugu the Shoemaker, by the magic virtues of the Magic Belt, I command you to become a dove!"

The magician instantly realized he was being enchanted, for he could feel his form changing. He struggled desperately against the enchantment, mumbling magic words and making magic passes with his hands. And in one way he succeeded in defeating Dorothy's purpose, for while his form soon changed to that of a gray dove, the dove was of an enormous size, bigger even than Ugu had been as a man, and this feat he had been able to accomplish before his powers of magic wholly deserted him.

And the dove was not gentle, as doves usually are, for

The Lost Princess of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

with the masses of the proletariat, but all the means of production, the plant, and all the accumulated resources of capital would really be at the disposal of labour. This will never be done, however, as long as co-operative experiments are carried on in the present archaic fashion.

Believing in co-operation as the ultimate solution, if to co-operation you can add subordination, I am disposed to attempt something in this direction in my new Social Scheme. I shall endeavour to start a Co-operative Farm on the principles of Ralahine, and base the whole of my Farm Colony on a Co-operative foundation.

In starting this little Co-operative Commonwealth, I am reminded by

In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Glimpses of the Moon by Edith Wharton:

was gazing up from his guidebook at the palace. "Ah," he murmured with satisfaction, seeing the shot take effect; then he added: "Coral Hicks is growing up rather pretty."

"Oh, Streff--you're dreaming! That lump of a girl with spectacles and thick ankles! Poor Mrs. Hicks used to say to Nick: 'When Mr. Hicks and I had Coral educated we presumed culture was in greater demand in Europe than it appears to be.'"

"Well, you'll see: that girl's education won't interfere with her, once she's started. So then: if Nick came in and told you he was going off--"

"I should be so thankful if it was with a fright like Coral!