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Today's Stichomancy for Sarah Silverman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

that before his death he had told me to give you two little keys which I am going to deliver to you myself to-morrow, Monday. I have not said that we are cousins, but only that I had seen you once or twice at Ballet's, with whom you were friendly. So say nothing till I have seen you, but whatever you do, don't say you are a relative of mine." When he returned to the hotel Castaing found Martignon, Lebret, and one or two friends of Auguste already assembled. It was only that morning that Martignon had received from Castaing any intimation of his brother-in-law's critical condition. From the first Castaing was regarded with suspicion; the nature of the illness, the secrecy maintained

A Book of Remarkable Criminals
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Daisy Miller by Henry James:

which she wore in large puffs and rouleaux over the top of her head. She had two sons married in New York and another who was now in Europe. This young man was amusing himself at Hamburg, and, though he was on his travels, was rarely perceived to visit any particular city at the moment selected by his mother for her own appearance there. Her nephew, who had come up to Vevey expressly to see her, was therefore more attentive than those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one's aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll:

slice and handed it to the Red Queen.

`What impertinence!' said the Pudding. `I wonder how you'd like it, if I were to cut a slice out of YOU, you creature!'

It spoke in a thick, suety sort of voice, and Alice hadn't a word to say in reply: she could only sit and look at it and gasp.

`Make a remark,' said the Red Queen: `it's ridiculous to leave all the conversation to the pudding!'

`Do you know, I've had such a quantity of poetry repeated to me to-day,' Alice began, a little frightened at finding that, the moment she opened her lips, there was dead silence, and all eyes were fixed upon her; `and it's a very curious thing, I think--

Through the Looking-Glass
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beauty and The Beast by Bayard Taylor:

the delicate and refined ways in which the sympathy of the people sought to express itself. The better qualities of human nature always develop a temporary good-breeding. Wherever any of the family went, they saw the reflection of their own sorrow; and a new spirit informed to their eyes the quiet pastoral landscapes.

In their life at home there was little change. Abraham Bradbury had insisted on sending his favorite grandson, Joel, a youth of twenty-two, to take De Courcy's place for a few months. He was a shy quiet creature, with large brown eyes like a fawn's, and young Henry Donnelly and he became friends at once. It was believed that he would inherit the farm at his grandfather's death; but he was as