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Today's Stichomancy for Scarlett Johansson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1492 by Mary Johntson:

seaside men and the Cubans of the burning sticks had made explanation, we were swept with them into their public square and to a hut much larger than common where we found a stately Indian, the cacique, and an ancient wrinkled man, the _butio_. These met us with their own assumption of something like godship. They had no lack of manner, and Luis and I had the Castilian to draw upon. Then came presents and Diego Colon interpreting. But as for the Admiral's letter, though I showed it, it was not understood.

It was gazed upon and touched, considered a heavenly rarity like the hawk bells we gave them, but not read nor

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Personal Record by Joseph Conrad:

the marginal note "to be carried out to the letter" in his own handwriting. The gentleman's name was Bezak. A high dignitary, an energetic official, the idol for a time of the Russian patriotic press.

Each generation has its memories.

IV

It must not be supposed that, in setting forth the memories of this half-hour between the moment my uncle left my room till we met again at dinner, I am losing sight of "Almayer's Folly." Having confessed that my first novel was begun in idleness--a holiday task--I think I have also given the impression that it


A Personal Record
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Journal of the Plague Year by Daniel Defoe:

and this part, I think, was as moving as the rest. What could affect a man in his full power of reflection, and what could make deeper impressions on the soul, than to see a man almost naked, and got out of his house, or perhaps out of his bed, into the street, come out of Harrow Alley, a populous conjunction or collection of alleys, courts, and passages in the Butcher Row in Whitechappel, - I say, what could be more affecting than to see this poor man come out into the open street, run dancing and singing and making a thousand antic gestures, with five or six women and children running after him, crying and calling upon him for the Lord's sake to come back, and entreating the help of others to bring him back, but all in vain, nobody daring to lay


A Journal of the Plague Year
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

cavalry was to be found and never failed to introduce himself to the officers. On perceiving them he bounded gracefully from his light phaeton and soon made acquaintance with them. At the last election he had given to the whole of the nobility a grand dinner during which he declared that if he were elected marshal he would put all gentlemen on the best possible footing. He usually behaved after the fashion of a great noble. He had married a rather pretty lady with a dowry of two hundred serfs and some thousands of rubles. This money was at once employed in the purchase of six fine horses, some gilt bronze locks, and a tame monkey. He further engaged a French cook. The two hundred peasants of the lady, as well as two hundred more belonging to the


Taras Bulba and Other Tales