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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

said I. "I know not to which it is more perilous, the soul or the reason; but you go the way to murder both."

"You cannot understand," said he. "You had never such mountains of bitterness upon your heart."

"And if it were no more," I added, "you will surely goad the man to some extremity."

"To the contrary; I am breaking his spirit," says my lord.

Every morning for hard upon a week my lord took his same place upon the bench. It was a pleasant place, under the green acacias, with a sight upon the bay and shipping, and a sound (from some way off) of marines singing at their employ. Here the two sate without

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

the ruined Whateley farmhouse when the horror escaped. Men looked at one another and muttered. Then they looked down the hill. Apparently the horror had descended by a route much the same as that of its ascent. To speculate was futile. Reason, logic, and normal ideas of motivation stood confounded. Only old Zebulon, who was not with the group, could have done justice to the situation or suggested a plausible explanation. Thursday night began much like the others, but it ended less happily. The whippoorwills in the glen had screamed with such unusual persistence that many could not sleep, and about 3 A.M. all the party telephones rang tremulously.


The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

get it up often. That is where they make their mis- take. Often the meek are meek from choice, and they are the ones to beware of. I don't blame you for trying it. And you can have Effie and welcome. I warn you that she is a little wearing. Of course she can't help her affliction, poor child, but it is dreadful. I have had her taught. She can read and write very well now, poor child, and she is not lacking, and I have kept her well dressed. I take her out to drive with me every day, and am not ashamed to have her seen with me. If she had all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

some one in the distance singing, and the sounds grew nearer and nearer until they could distinguish the words, although the bend in the road still hid the singer. The song was something like this:

"Here's to the hale old bale of straw That's cut from the waving grain, The sweetest sight man ever saw In forest, dell or plain. It fills me with a crunkling joy A straw-stack to behold,


The Patchwork Girl of Oz