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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Profits of Religion by Upton Sinclair:

at them--"This people honoreth me with their lips, but their heart is far from me." Because he despised the company of the respectables, and went among the humble and human folk of his own class in the places where they gathered--the public houses--the churchly scandal-mongers called him "a man gluttonous and a wine-bibber, a friend of publicans and sinners"--precisely as in the old days they used to sneer at the Socialists for having their meetings in the back-rooms of saloons, and precisely as they still denounce us as free-lovers and atheists.

But the longing for justice between man and man, which is the Kingdom of Heaven on earth, is the deepest instinct of the human

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Faith of Men by Jack London:

"Kattou?" suggested Snettishane.

"She has but one eye," objected the Factor.

"Laska?"

"Her knees be wide apart when she stands upright. Kips, your biggest dog, can leap between her knees when she stands upright."

"Senatee?" went on the imperturbable Snettishane.

But John Fox feigned anger, crying: "What foolishness is this? Am I old, that thou shouldst mate me with old women? Am I toothless? lame of leg? blind of eye? Or am I poor that no bright-eyed maiden may look with favour upon me? Behold! I am the Factor, both rich and great, a power in the land, whose speech makes men tremble and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

living being. Upon a face which wore the fixed features of a corpse were imprinted the traces of the vilest and most hideous passions which had animated her while she lived. The body of some atrocious criminal seemed to have been given up from the grave, and the soul restored from the penal fire, in order to form for a space a union with the ancient accomplice of its guilt. I started up in bed, and sat upright, supporting myself on my palms, as I gazed on this horrible spectre. The hag made, as it seemed, a single and swift stride to the bed where I lay, and squatted herself down upon it, in precisely the same attitude which I had assumed in the extremity of horror, advancing her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from I Have A Dream by Martin Luther King, Jr.:

cooling off or to take the tranquilizing drug of gradualism. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to open the doors of opportunity to all of God's children. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood.

It would be fatal for the nation to overlook the urgency of the moment and to underestimate the determination of the Negro. This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning.