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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chouans by Honore de Balzac:

ten crowns; they are a little shaved, but they'll pass. When you leave the garden you will see a path that leads straight to the town, or, as they say now, the district. But the Chouans will be at Fougeres, and it is to be presumed that you can't get back there at once. You may want some safe place to hide in. Remember what I say to you, but don't make use of it unless in some great emergency. You will see on the road which leads to Nid-aux-Crocs through the Val de Gibarry, a farm- house belonging to Cibot--otherwise called Galope-Chopine. Go in, and say to his wife: 'Good-day, Becaniere,' and Barbette will hide you. If Galope-Chopine discovers you he will either take you for the ghost, if it is dark, or ten crowns will master him if it is light. Adieu, our


The Chouans
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage Out by Virginia Woolf:

who always takes things up, you know--the kind of woman one admires, though one does not feel, at least I do not feel--but then she has a constitution of iron."

Mrs. Elliot, brought back to the consideration of her own delicacy, here sighed.

"A very animated face," said Mrs. Thornbury, looking at Evelyn M. who had stopped near them to pin tight a scarlet flower at her breast. It would not stay, and, with a spirited gesture of impatience, she thrust it into her partner's button-hole. He was a tall melancholy youth, who received the gift as a knight might receive his lady's token.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

of the parish and the drunken section, -- that is, he went to church, but yawned privately by the time the con- gegation reached the Nicene creed,- and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture. Since he lived six times as many working-days as


Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

under the curiously ample stubble of sandy beard. West, who had his hand on the pulse of the left wrist, suddenly nodded significantly; and almost simultaneously a mist appeared on the mirror inclined above the body’s mouth. There followed a few spasmodic muscular motions, and then an audible breathing and visible motion of the chest. I looked at the closed eyelids, and thought I detected a quivering. Then the lids opened, shewing eyes which were grey, calm, and alive, but still unintelligent and not even curious.

In a moment of fantastic whim I whispered questions to the reddening ears; questions of other worlds of which the memory might still be present. Subsequent terror drove them from my mind, but I think


Herbert West: Reanimator