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Today's Stichomancy for Steven Spielberg

The first excerpt represents the past or something you must release, and is drawn from Pellucidar by Edgar Rice Burroughs:

There seemed but one thing to do; that was to keep on sailing straight before the wind--since we could travel most rapidly along that course--until we sighted land of some description. If it chanced to be the mainland, well and good; if an island--well, we might live upon an island. We certainly could not live long in this little boat, with only a few strips of dried thag and a few quarts of water left.

Quite suddenly a thought occurred to me. I was surprised that it had not come before as a solution to our problem. I turned toward Juag.


Pellucidar
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Rivers by Henry van Dyke:

against the flies. Three more pessimistic-looking horses I never saw. They were harnessed abreast, and fastened by a prodigious tow-rope to a short post in the middle of the forward deck. Their driver was a truculent, brigandish, bearded old fellow in long boots, a blue flannel shirt, and a black sombrero. He sat upon the middle horse, and some wild instinct of colour had made him tie a big red handkerchief around his shoulders, so that the eye of the beholder took delight in him. He posed like a bold, bad robber- chief. But in point of fact I believe he was the mildest and most inoffensive of men. We never heard him say anything except at a distance, to his horses, and we did not inquire what that was.

The third excerpt represents the future or something you must embrace, and is drawn from Collection of Antiquities by Honore de Balzac:

to thrive there.

The drawing-room on the ground floor was lighted by a single window on the side of the street, and a French window above a flight of steps, which gave upon the garden. The dining-room on the other side of the great ante-chamber, with its windows also looking out into the garden, was exactly the same size as the drawing-room, and all three apartments were in harmony with the general air of gloom. It wearied your eyes to look at the ceilings all divided up by huge painted crossbeams and adorned with a feeble lozenge pattern or a rosette in the middle. The paint was old, startling in tint, and begrimed with smoke. The sun had faded the heavy silk curtains in the drawing-room;