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Today's Stichomancy for Steven Spielberg

The first excerpt represents the past or something you must release, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

Harry Lawton did call. She, as well as Mrs. Joseph Glynn, would have enjoyed watching out and knowing something of the village happenings, but the Lancaster house was situated so far from the road, behind its grove of trees, that nothing whatever could be seen.

"I doubt if Eudora tells, if he does call--that is, not unless something definite happens," said Anna.

"No," remarked Amelia, sadly. "Eudora is a dear, but she is very silent with regard to her own affairs."

"She ought to be," said Sophia, with her married authority. She was, to her sisters, as one who had passed within the shrine and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:

she said in an absorbed voice.

"Does everybody have to die?" asked Kezia.

"Everybody!"

"Me?" Kezia sounded fearfully incredulous.

"Some day, my darling."

"But, grandma." Kezia waved her left leg and waggled the toes. They felt sandy. "What if I just won't?"

The old woman sighed again and drew a long thread from the ball.

"We're not asked, Kezia," she said sadly. "It happens to all of us sooner or later."

Kezia lay still thinking this over. She didn't want to die. It meant she

The third excerpt represents the future or something you must embrace, and is drawn from Maitre Cornelius by Honore de Balzac:

smiling.

"Ha! the damned thief, he confesses!" cried the miser.

The grand provost was engaged in attentively examining Georges d'Estouteville's clothes and the lock of the door.

"How did you get out those screws?"

Georges kept silence.

"Oh, very good, be silent if you choose. You will soon confess on the holy rack," said Tristan.

"That's what I call business!" cried Cornelius.

"Take him off," said the grand provost to the guards.

Georges d'Estouteville asked permission to dress himself. On a sign