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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

For three days we continued upon our way, until we arrived outside a village of thatched huts just at dusk. So-ta said that she would enter alone; I must not be seen if I did not intend to remain, as it was forbidden that one should return and live after having advanced this far. So she left me. She was a dear girl and a stanch and true comrade--more like a man than a woman. In her simple barbaric way she was both refined and chaste. She had been the wife of To-jo. Among the Kro-lu she would find another mate after the manner of the strange Caspakian world; but she told me very frankly that whenever I returned, she would leave her mate and come to me, as


The Land that Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Roads of Destiny by O. Henry:

the recreant follower of Destiny illuminating a tableau which shall end the ignominious chronicle--a maid with unkissed, curling, contemptuous lips slowly lifting the lamp chimney and allowing the wick to ignite; then waving a scornful and abjuring hand toward the staircase--the unhappy Tansey, erstwhile champion in the prophetic lists of fortune, ingloriously ascending to his just and certain doom, while (let us imagine) half within the wings stands the imminent figure of Fate jerking wildly at the wrong strings, and mixing things up in her usual able manner.

XVI

A DEPARTMENTAL CASE

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Pa's cheeks are thin an' kinder pale; he couldn't rough it worth a cent. He couldn't stand the hike we had the day the Boy Scouts camping went. He has to hire a man to dig the garden, coz his back gets lame, An' he'd be crippled for a week, if he should play a baseball game. But when a thunder storm comes up, Ma sits an' shivers in the gloam An' every time the thunder rolls, she says: "I


A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

a painting of genre. Her eyes, after wandering over the vast moving picture, were suddenly caught by this figure, which seemed to have been placed on purpose in one corner of the canvas, and in the best light, like a person out of all proportion with the rest.

The stranger, alone and absorbed in thought, leaned lightly against one of the columns that supported the roof; his arms were folded, and he leaned slightly on one side as though he had placed himself there to have his portrait taken by a painter. His attitude, though full of elegance and dignity, was devoid of affectation. Nothing suggested that he had half turned his head, and bent it a little to the right like Alexander, or Lord Byron, and some other great men, for the sole