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Today's Stichomancy for Tom Hanks

The first excerpt represents the past or something you must release, and is drawn from Poems by Bronte Sisters:

To pass the figure by,-- But, moving slow, it faced him straight, It would not flinch nor quail: Then first did Gilbert's strength abate, His stony firmness quail.

He sank upon his knees and prayed The shape stood rigid there; He called aloud for human aid, No human aid was near. An accent strange did thus repeat Heaven's stern but just decree:

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

bastard. We can well believe what we hear of his facility in striking up an acquaintance with women: he would have conquering manners; he would bear down upon his rustic game with the grace that comes of absolute assurance - the Richelieu of Lochlea or Mossgiel. In yet another manner did these quaint ways of courtship help him into fame. If he were great as principal, he was unrivalled as confidant. He could enter into a passion; he could counsel wary moves, being, in his own phrase, so old a hawk; nay, he could turn a letter for some unlucky swain, or even string a few lines of verse that should clinch the business and fetch the

The third excerpt represents the future or something you must embrace, and is drawn from Rinkitink In Oz by L. Frank Baum:

The Queen and her maidens, the officers and servants of the royal household and all who had inhabited this end of the Island of Pingaree had been seized by the invaders and bound with ropes. At once they began carrying their victims to the boats, tossing them in as unceremoniously as if they had been bales of merchandise.

The King looked around for his son Inga, but failed to find the boy among the prisoners. Nor was the fat King, Rinkitink, to be seen anywhere about.

The warriors were swarming over the palace like bees


Rinkitink In Oz