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Today's Stichomancy for Vladimir Putin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

her brown head. She radiated good will and loving- kindness as fervently as a lily in the border radiated perfume.

It was very warm, and the northwest sky had a threatening mountain of clouds. Occasionally An- nie glanced at it and raked the faster, and thought complacently of the water-proof covers in the little barn. This hay was valuable for the Reverend Silas's horse.

Two of the front windows of the house were filled with girls' heads, and the regular swaying movement

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

was explained and reconciled for ever.

And Proclus's prayer, on the other hand, was the outcome of the Neoplatonists' metaphysic, the end of all their search after the One, the Indivisible, the Absolute, this cry to all manner of innumerable phantoms, ghosts of ideas, ghosts of traditions, neither things nor persons, but thoughts, to give the philosopher each something or other, according to the nature of each. Not that he very clearly defines what each is to give him; but still he feels himself in want of all manner of things, and it is as well to have as many friends at court as possible-- Noetic Gods, Noeric Gods, rulers, angels, daemons, heroes--to enable him to do what? To understand Plato's most mystical and far-seeing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gone With the Wind by Margaret Mitchell:

their property were not appropriated by the military, it would be as good as lost if she and Frank went to jail, for who would look after their business in their absence?

She hated Tony for bringing such trouble upon them. How could he have done such a thing to friends? And how could Ashley have sent Tony to them? Never again would she give aid to anyone if it meant having the Yankees come down on her like a swarm of hornets. No, she would bar the door against anyone needing help. Except, of course, Ashley. For weeks after Tony's brief visit she woke from uneasy dreams at any sound in the road outside, fearing it might be Ashley trying to make his escape, fleeing to Texas because of the

Gone With the Wind
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

meditation as confused as a dream. Passion had dealt him a crushing blow. On his return to his apartments he was seized by one of those paroxysms of activity which reveal to us the presence of new principles in our existence. A prey to that first fever of love which resembles pain as much as pleasure, he sought to defeat his impatience and his frenzy by sketching La Zambinella from memory. It was a sort of material meditation. Upon one leaf La Zambinella appeared in that pose, apparently calm and cold, affected by Raphael, Georgione, and all the great painters. On another, she was coyly turning her head as she finished a roulade, and seemed to be listening to herself. Sarrasine drew his mistress in all poses: he drew her unveiled,