The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ball at Sceaux by Honore de Balzac: limping, uncle, only look!"
"No, he is running; I rated him soundly."
"Oh, yes, uncle; I know you there!"
"Stop," said the Count, pulling Emilie's horse by the bridle, "I do
not see the necessity of making advances to some shopkeeper who is
only too lucky to have been thrown down by a charming young lady, or
the commander of La Belle-Poule."
"Why do you think he is anything so common, my dear uncle? He seems to
me to have very fine manners."
"Every one has manners nowadays, my dear."
"No, uncle, not every one has the air and style which come of the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner: these females and their descendants were apt to supplant the more enervated
class or race. In the absence of machinery and of a vast employment of the
motor-forces of nature, parasitism could only threaten a comparatively
small section of any community, and a minute section of the human race as a
whole. Female parasitism in the past resembled gout--a disease dangerous
only to the over-fed, pampered, and few, never to the population of any
society as a whole.
At the present day, so enormous has been the advance made in the
substitution of mechanical force for crude, physical, human exertion
(mechanical force being employed today even in the shaping of feeding-
bottles and the creation of artificial foods as substitutes for mother's
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