| The Two Paths spread provides insight into an important decision ahead of you, the possible outcomes, and the forces that draw you towards each of these outcomes. The International Icon Tarot renders traditional occult symbolism in Swiss iconography. It is a humorous and direct approach to divination, and one of our favorite new decks. If you would like your own copy of the International Icon Tarot, you can buy it now!
|
 | The top left card represents the first possible outcome. The Lovers: A caring and trusting relationship. Beauty and inner harmony. A decision calling for emotional control and faithfulness to spiritual values. |
 | The top right card represents the second possible outcome. Nine of Wands (Strength): A pause in the current struggle to ready oneself. Preparation to meet the final conclusive onslaught. Forces assembled in anticipation of trials and tribulations. The steeling of the will to stand or fall. A line drawn in the sand. |
 | The middle left card represents the force drawing you towards the first possible outcome. Seven of Swords (Futility), when reversed: Being trapped in a hopeless situation and unable to withdraw. A feat of daring that is too much for you to handle. Being caught in the middle of a desperate act of cunning or outright deception. |
 | The middle right card represents the force drawing you towards the second possible outcome. The Emperor: Worldly authority and power. Social mastery and oratory. One who is intelligent, experienced, confident and reasonable. A patriarch or primary male influence. The motive force of politics and society. The ability to fulfill plans and use mental control over the emotions. |
 | The bottom card represents the critical factor that decides what will come to pass. Nine of Cups (Happiness), when reversed: Vanity, conceit, and smugness in romance, friendship, or other relationships. Achieving what you always thought you wanted. Overindulging in food, drink, or the pleasures of the flesh. A state of joy and abundance that is shallow and fleeting. |
