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Today's Stichomancy for Audrey Hepburn

The first excerpt represents the past or something you must release, and is drawn from Intentions by Oscar Wilde:

so and will always do so. But while the poet can be pictorial or not, as he chooses, the painter must be pictorial always. For a painter is limited, not to what he sees in nature, but to what upon canvas may be seen.

And so, my dear Ernest, pictures of this kind will not really fascinate the critic. He will turn from them to such works as make him brood and dream and fancy, to works that possess the subtle quality of suggestion, and seem to tell one that even from them there is an escape into a wider world. It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lair of the White Worm by Bram Stoker:

landing in the old country, a welcome and a surrounding in full harmony with all his dreams throughout his wanderings and solitude, and the promise of a fresh and adventurous life. It was not long before the old man accepted him to full relationship by calling him by his Christian name. After a long talk on affairs of interest, they retired to the cabin, which the elder was to share. Richard Salton put his hands affectionately on the boy's shoulders--though Adam was in his twenty-seventh year, he was a boy, and always would be, to his grand-uncle.

"I am so glad to find you as you are, my dear boy--just such a young man as I had always hoped for as a son, in the days when I still had


Lair of the White Worm
The third excerpt represents the future or something you must embrace, and is drawn from A Start in Life by Honore de Balzac:

Serizy from the Arabs?" said Reybert, "and for whom the count has obtained the collectorship of Beaumont while awaiting that of Pontoise?"

"Yes, monsieur," said Oscar.

"I hope you will give me the pleasure, monsieur," said the great painter, "of being present at my marriage at Isle-Adam."

"Whom do you marry?" asked Oscar, after accepting the invitation.

"Mademoiselle Leger," replied Joseph Bridau, "the granddaughter of Monsieur de Reybert. Monsieur le comte was kind enough to arrange the marriage for me. As an artist I owe him a great deal, and he wished, before his death, to secure my future, about which I did not think,