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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ivanhoe by Walter Scott:

people a persecution of a more regular, calculated, and self-interested kind. It is a well-known story of King John, that he confined a wealthy Jew in one of the royal castles, and daily caused one of his teeth to be torn out, until, when the jaw of the unhappy Israelite was half disfurnished, he consented to pay a large sum, which it was the tyrant's object to extort from him. The little ready money which was in the country was chiefly in possession of this persecuted people, and the nobility hesitated not to follow the example of their sovereign, in


Ivanhoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

The above-mentioned individuals had been sentenced to undergo their various modes of ignominy, for the space of one hour at noonday. But among the crowd were several whose punishment would be life-long; some, whose ears had been cropped, like those of puppy dogs; others, whose cheeks had been branded with the initials of their misdemeanors; one, with his nostrils slit and seared; and another, with a halter about his neck, which he was forbidden ever to take off, or to conceal beneath his garments. Methinks he must have been grievously tempted to affix the other end of the rope to some convenient beam or bough. There was likewise a young woman, with no mean share of beauty, whose doom


Twice Told Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Octopus by Frank Norris:

shoulder of the earth, he knew were other ranches, and beyond these others, and beyond these still others, the immensities multiplying to infinity.

Everywhere throughout the great San Joaquin, unseen and unheard, a thousand ploughs up-stirred the land, tens of thousands of shears clutched deep into the warm, moist soil.

It was the long stroking caress, vigorous, male, powerful, for which the Earth seemed panting. The heroic embrace of a multitude of iron hands, gripping deep into the brown, warm flesh of the land that quivered responsive and passionate under this rude advance, so robust as to be almost an assault, so violent as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young:

that the little girls had made for themselves, and nobody but themselves knew about that law--for the good of the birds. But no little girl cared to disobey that law of their own that nobody but themselves knew about, for if one had--how dreadful it would have been--no little girl would have played with her until--oh, so long, so long--until she might at last have been forgiven!

So all the little brown crumbs that the tiny little girls did drop, why the tiny little brown birds did pick up,--and they never said whether they liked caraway seeds or not!

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