| The first excerpt represents the past or something you must release, and is drawn from Twenty Years After by Alexandre Dumas: that, it did not enlighten you much."
"Well, sir!" cried the queen.
"Madame, the passage is quite clear and your majesty can
continue your road."
In fact, the procession arrived, in safety at Notre Dame, at
the front gate of which all the clergy, with the coadjutor
at their head, awaited the king, the queen and the minister,
for whose happy return they chanted a Te Deum.
As the service was drawing to a close a boy entered the
church in great excitement, ran to the sacristy, dressed
himself quickly in the choir robes, and cleaving, thanks to
 Twenty Years After |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays of Travel by Robert Louis Stevenson: how hopeless it must be to pursue after it with clumsy words. If I
say, for instance, that this look, which I remember as Lizzie, was
something wistful that seemed partly to come of slyness and in part
of simplicity, and that I am inclined to imagine it had something to
do with the daintiest suspicion of a cast in one of her large eyes, I
shall have said all that I can, and the reader will not be much
advanced towards comprehension. I had struck up an acquaintance with
this little damsel in the morning, and professed much interest in her
dolls, and an impatient desire to see the large one which was kept
locked away for great occasions. And so I had not been very long in
the parlour before the door opened, and in came Miss Lizzie with two
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The third excerpt represents the future or something you must embrace, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: with wise and goodly reflections thereon. One great object of
interest in the book is the last chapter, which treats fully of the
making and stocking these salt-water "Aquaria;" and the various
beautifully coloured plates, which are, as it were, sketches from
the interior of tanks, are well fitted to excite the desire of all
readers to possess such gorgeous living pictures, if as nothing
else, still as drawing-room ornaments, flower-gardens which never
wither, fairy lakes of perpetual calm which no storm blackens, -
[Greek text which cannot be reproduced]
Those who have never seen one of them can never imagine (and
neither Mr. Gosse's pencil nor my clumsy words can ever describe to
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