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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the past or something you must release, and is drawn from Blix by Frank Norris:

Just then his eye was caught by a familiar figure in trim, well- fitting black halted on the opposite corner waiting for the passage of a cable car. It was Travis Bessemer. No one but she could carry off such rigorous simplicity in the matter of dress so well: black skirt, black Russian blouse, tiny black bonnet and black veil, white kids with black stitching. Simplicity itself. Yet the style of her, as Condy Rivers told himself, flew up and hit you in the face; and her figure--was there anything more perfect? and the soft pretty effect of her yellow hair seen through the veil--could anything be more fetching? and her smart

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Father Sergius by Leo Tolstoy:

feet.'

And he placed one hand on the other, cup-wise. He said and did all this as if he were doing something clearly and firmly appointed by law and usage--as if one must and should ask for a daughter to be cured in just this way and no other. He did it with such conviction that it seemed even to Father Sergius that it should be said and done in just that way, but nevertheless he bade him rise and tell him what the trouble was. The merchant said that his daughter, a girl of twenty-two, had fallen ill two years ago, after her mother's sudden death. She had moaned (as he expressed it) and since then had not been herself. And now he

The third excerpt represents the future or something you must embrace, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

could not believe that it was the girl.

We kept to our westerly course for several hours when the lookout's cry announced a sail. I ordered the U-33's course altered, and we bore down upon the stranger, for I had come to a decision which was the result of necessity. We could not lie there in the middle of the Atlantic and starve to death if there was any way out of it. The sailing ship saw us while we were still a long way off, as was evidenced by her efforts to escape. There was scarcely any wind, however, and her case was hopeless; so when we drew near and signaled her to stop, she came into the wind and lay there with her sails flapping idly. We moved in


The Land that Time Forgot