| The first excerpt represents the past or something you must release, and is drawn from The Gift of the Magi by O. Henry: are wisest. They are the magi.
End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.
 The Gift of the Magi |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from She Stoops to Conquer by Oliver Goldsmith: MARLOW. Nothing, my dear, nothing. But I was in for a list of
blunders, and could not help making you a subscriber. My stupidity saw
everything the wrong way. I mistook your assiduity for assurance, and
your simplicity for allurement. But it's over. This house I no more
show MY face in.
MISS HARDCASTLE. I hope, sir, I have done nothing to disoblige you.
I'm sure I should be sorry to affront any gentleman who has been so
polite, and said so many civil things to me. I'm sure I should be
sorry (pretending to cry) if he left the family upon my account. I'm
sure I should be sorry if people said anything amiss, since I have no
fortune but my character.
 She Stoops to Conquer |
The third excerpt represents the future or something you must embrace, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart: lost it. We were climbing as we went. Oddly there were no lights
ahead, although it was only ten o'clock, - not later. Hotchkiss
kept a little ahead of me, knocking into trees now and then, but
finding the path in half the time I should have taken. Once, as I
felt my way around a tree in the blackness, I put my hand
unexpectedly on his shoulder, and felt a shudder go down my back.
"What do you expect me to do?" he protested, when I remonstrated.
"Hang out a red lantern? What was that? Listen."
We both stood peering into the gloom. The sharp patter of the rain
on leaves had ceased, and from just ahead there came back to us the
stealthy padding of feet in wet soil. My hand closed on Hotchkiss'
 The Man in Lower Ten |