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Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Two Poets by Honore de Balzac:

for the improvement which your father endeavored to make is a great commercial requirement, and one of the crying needs of the time. And for this reason: although linen lasts so much longer than cotton, that it is in reality cheaper in the end, the poor would rather make the smaller outlay in the first instance, and, by virtue of the law of Vae victis! pay enormously more before they have done. The middle classes do the same. So there is a scarcity of linen. In England, where four- fifths of the population use cotton to the exclusion of linen, they make nothing but cotton paper. The cotton paper is very soft and easily creased to begin with, and it has a further defect: it is so soluble that if you seep a book made of cotton paper in water for

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The American by Henry James:

"A paper written by the hand, and signed with the name, of Henri-Urbain de Bellegarde. Written after you, madame, had left him for dead, and while you, sir, had gone--not very fast-- for the doctor."

The marquis looked at his mother; she turned away, looking vaguely round her. "I must sit down," she said in a low tone, going toward the bench on which Newman had been sitting.

"Couldn't you have spoken to me alone?" said the marquis to Newman, with a strange look.

"Well, yes, if I could have been sure of speaking to your mother alone, too," Newman answered. "But I have had to take you as I could get you."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adventure by Jack London:

more recruits. There's no law against recruiting when you're empty.' 'But there is against starving 'em,' I said; 'you know yourself there ain't any kai-kai to speak of aboard of us, and there ain't a crumb on the Martha.'"

"We'd all been pretty well on native kai-kai, as it was," said Sparrowhawk.

"'Don't let the kai-kai worry you, Captain Munster,' says she; 'if I can find grub for eighty-four mouths on the Martha, the two of you can do as much by your two vessels. Now go ahead and get aground before a steady breeze comes up and spoils the manoeuvre. I'll send my boats the moment you strike. And now, good-day,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On Horsemanship by Xenophon:

the direction of its natural growth, so as to preserve from injury that part of the horse's back on which the rider sits.

The head should be drenched with water simply; for, being bony, if you try to cleanse it with iron or wooden instruments injury may be caused. So, too, the forelock should be merely wetted; the long hairs of which it is composed, without hindering the animal's vision, serve to scare away from the eyes anything that might trouble them. Providence, we must suppose,[6] bestowed these hairs upon the horse, instead of the large ears which are given to the ass and the mule as a protection to the eyes.[7] The tail, again, and mane should be washed, the object being to help the hairs to grow--those in the tail so as to


On Horsemanship