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Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

superstitions.

It was, especially, upon retiring to bed late in the night of the seventh or eighth day after the placing of the lady Madeline within the donjon, that I experienced the full power of such feelings. Sleep came not near my couch--while the hours waned and waned away. I struggled to reason off the nervousness which had dominion over me. I endeavoured to believe that much, if not all of what I felt, was due to the bewildering influence of the gloomy furniture of the room--of the dark and tattered draperies, which, tortured into motion by the breath of a rising tempest, swayed fitfully to and fro upon the walls, and rustled


The Fall of the House of Usher
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato:

SOCRATES: How so?

NICIAS: Why, because he does not see that the physician's knowledge only extends to the nature of health and disease: he can tell the sick man no more than this. Do you imagine, Laches, that the physician knows whether health or disease is the more terrible to a man? Had not many a man better never get up from a sick bed? I should like to know whether you think that life is always better than death. May not death often be the better of the two?

LACHES: Yes certainly so in my opinion.

NICIAS: And do you think that the same things are terrible to those who had better die, and to those who had better live?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Augsburg Confession by Philip Melanchthon:

What, then, came to pass in the monasteries? Aforetime they were schools of theology and other branches, profitable to the Church; and thence pastors and bishops were obtained. Now it is another thing. It is needless to rehearse what is known to all. Aforetime they came together to learn; now they feign that it is a kind of life instituted to merit grace and righteousness; yea, they preach that it is a state of perfection, and they put it far above all other kinds of life ordained of God. These things we have rehearsed without odious exaggeration, to the end that the doctrine of our teachers on this point might be better understood.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Some Reminiscences by Joseph Conrad:

psychology of Nina Almayer, her opening speech of the tenth chapter and the words of Mrs. Almayer's wisdom which were to follow in the ominous oncoming of a tropical night. I could not have told him that Nina had said: "It has set at last." He would have been extremely surprised and perhaps have dropped his precious banjo. Neither could I have told him that the sun of my sea-going was setting too, even as I wrote the words expressing the impatience of passionate youth bent on its desire. I did not know this myself, and it is safe to say he would not have cared, though he was an excellent young fellow and treated me with more deference than, in our relative positions, I was strictly


Some Reminiscences