Today's Stichomancy for Pablo Picasso

there the straggling beams brought out the outlines of the rugged brows of some of the older men, throwing up their figures in sharp relief against the dark background, and giving a fantastic appearance to their worn and weather-stained garb. The attentive attitude of all these people and the expression on all their faces showed that they had given themselves up entirely to the pleasure of listening, and that the narrator's sway was absolute. It was a curious scene. The immense influence that poetry exerts over every mind was plainly to be seen. For is not the peasant who demands that the tale of wonder should be simple, and that the impossible should be well-nigh credible, a lover of poetry of the purest kind?

strikes at the root of many a social injustice. Perhaps it is only human nature to inflict suffering on anything that will endure suffering, whether by reason of its genuine humility, or indifference, or sheer helplessness. Do we not, one and all, like to feel our strength even at the expense of some one or of something? The poorest sample of humanity, the street arab, will pull the bell handle at every street door in bitter weather, and scramble up to write his name on the unsullied marble of a monument.

In the year 1813, at the age of sixty-nine or thereabouts, "Father Goriot" had sold his business and retired--to Mme.

Father Goriot

this advantage, that he was morally certain he could lay his hands on Clark at any time. But he would have to prove his case, connect it. Who, for instance, was the other man in the cabin? He must have known who the boy was who lay in that rough bunk, delirious. Must have suspected anyhow. That made him, like the Donaldsons, accessory after the fact, and criminally liable. Small chance of him coming out with any confession. Yet he was the connecting link. Must be.

On his third reading the reporter began to visualize the human elements of the fight to save the boy; he saw moving before him the whole pitiful struggle; the indomitable ranch manager, his

The Breaking Point

Why you not run when I say?'

`What did you jabber Bohunk for? You might have told me there was a snake behind me!' I said petulantly.

`I know I am just awful, Jim, I was so scared.' She took my handkerchief from my pocket and tried to wipe my face with it, but I snatched it away from her. I suppose I looked as sick as I felt.

`I never know you was so brave, Jim,' she went on comfortingly. `You is just like big mans; you wait for him lift his head and then you go for him. Ain't you feel scared a bit? Now we take that snake home and show everybody. Nobody ain't seen in this kawntree so big snake like you kill.'

She went on in this strain until I began to think that I

My Antonia