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Today's Stichomancy for Pablo Picasso

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

a conference with Petrovitch on the subject of the cloak, where it would be better to buy the cloth, and the colour, and the price. He always returned home satisfied, though troubled, reflecting that the time would come at last when it could all be bought, and then the cloak made.

The affair progressed more briskly than he had expected. Far beyond all his hopes, the director awarded neither forty nor forty-five rubles for Akakiy Akakievitch's share, but sixty. Whether he suspected that Akakiy Akakievitch needed a cloak, or whether it was merely chance, at all events, twenty extra rubles were by this means provided. This circumstance hastened matters. Two or three months more


Taras Bulba and Other Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Muse of the Department by Honore de Balzac:

like Dutch tulip fanciers, you will excuse Dinah when, in her fear of not keeping her guests more than two days, she begged Bianchon to enrich the volume she handed to him with a few lines of his writing.

The doctor made Lousteau smile by showing him this sentence on the first page:

"What makes the populace dangerous is that it has in its pocket an absolution for every crime.

J. B. DE CLAGNY."

"We will second the man who is brave enough to plead in favor of the Monarchy," Desplein's great pupil whispered to Lousteau, and he wrote below:


The Muse of the Department
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Emma McChesney & Co. by Edna Ferber:

whose business brought them to the offices and showrooms of the T. A. Buck Featherloom Petticoat Company, the foremost insisted on dealing only with her. She was proud of her following. She liked their loyalty. Their preference for her was the subtlest compliment that was in their power to pay. Ethel Morrissey, whose friendship dated back to the days when Emma McChesney had sold Featherlooms through the Middle West, used to say laughingly, her plump, comfortable shoulders shaking, "Emma, if you ever give me away by telling how many years I've been buying Featherlooms of you, I'll--I'll call down upon you the spinster's curse."


Emma McChesney & Co.
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

as though I had been faced by my own reflection in the depths of a somber and immense mirror.

"A pretty thing to have to own up to for a Conway boy," murmured my double, distinctly.

"You're a Conway boy?"

"I am," he said, as if startled. Then, slowly . . . "Perhaps you too--"

It was so; but being a couple of years older I had left before he joined. After a quick interchange of dates a silence fell; and I thought suddenly of my absurd mate with his terrific whiskers and the "Bless my soul--you don't say so" type of intellect. My double gave me an inkling of his thoughts by saying:


The Secret Sharer