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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from The Figure in the Carpet by Henry James:

counted, have existed, was to turn on the new light, to utter - oh, so quietly! - the unimagined truth. It was in other words to trace the figure in the carpet through every convolution, to reproduce it in every tint. The result, according to my friend, would be the greatest literary portrait ever painted, and what he asked of me was just to be so good as not to trouble him with questions till he should hang up his masterpiece before me. He did me the honour to declare that, putting aside the great sitter himself, all aloft in his indifference, I was individually the connoisseur he was most working for. I was therefore to be a good boy and not try to peep under the curtain before the show was ready: I should enjoy it all

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

reptile. Two biological points he was exceedingly anxious to settle -- first, whether any amount of consciousness and rational action be possible without the brain, proceeding from the spinal cord and various nerve-centres; and second, whether any kind of ethereal, intangible relation distinct from the material cells may exist to link the surgically separated parts of what has previously been a single living organism. All this research work required a prodigious supply of freshly slaughtered human flesh -- and that was why Herbert West had entered the Great War. The phantasmal, unmentionable thing occurred one midnight late in March, 1915,


Herbert West: Reanimator
The third excerpt represents the future or something you must embrace, and is drawn from The Jungle Book by Rudyard Kipling:

as much as three hundred miles in a day and a night. He met with more adventures than can be told, and narrowly escaped being caught by the Basking Shark, and the Spotted Shark, and the Hammerhead, and he met all the untrustworthy ruffians that loaf up and down the seas, and the heavy polite fish, and the scarlet spotted scallops that are moored in one place for hundreds of years, and grow very proud of it; but he never met Sea Cow, and he never found an island that he could fancy.

If the beach was good and hard, with a slope behind it for seals to play on, there was always the smoke of a whaler on the horizon, boiling down blubber, and Kotick knew what that meant.


The Jungle Book