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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades I by Plato:

ALCIBIADES: With your aid, Socrates, I will. And indeed, when I hear you speak, the truth of what you are saying strikes home to me, and I agree with you, for our statesmen, all but a few, do appear to be quite uneducated.

SOCRATES: What is the inference?

ALCIBIADES: Why, that if they were educated they would be trained athletes, and he who means to rival them ought to have knowledge and experience when he attacks them; but now, as they have become politicians without any special training, why should I have the trouble of learning and practising? For I know well that by the light of nature I shall get the better of them.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mountains by Stewart Edward White:

what they can and cannot do in the matters of carrying weights, making distance, enduring without deterioration hard climbs in high altitudes; what they can or cannot get over in the way of bad places. This last is not always a matter of appearance merely. Some bits of trail, seeming impassable to anything but a goat, a Western horse will negotiate easily; while others, not particularly terrifying in appearance, offer complications of abrupt turn or a single bit of unstable, leg-breaking footing which renders them exceedingly dangerous. You must, moreover, be able to manage your

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gift of the Magi by O. Henry:

and receive gifts, such as they are wisest. Everywhere they

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herodias by Gustave Flaubert:

feet took dainty steps to the rhythm of a flute and a pair of Indian bells. Her round white arms seemed ever beckoning and striving to entice to her side some youth who was fleeing from her allurements. She appeared to pursue him, with movements light as a butterfly; her whole mien was like that of an inquisitive Psyche, or a floating spirit that might at any moment dissolve and disappear.

Presently the plaintive notes of the gingras, a small flute of Phoenician origin, replaced the tinkling bells. The attitudes of the dancing nymph now denoted overpowering lassitude. Her bosom heaved with sighs, and her whole being expressed profound languor, although it was not clear whether she sighed for an absent swain or was


Herodias