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Today's Stichomancy for Charlton Heston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

And something crumbled in his brain When his half million went.

Time passed, and filled along with his The place of many more; Time came, and hardly one of us Had credence to restore, From what appeared one day, the man Whom we had known before.

The broken voice, the withered neck, The coat worn out with care, The cleanliness of indigence,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Old Indian Legends by Zitkala-Sa:

condition. Never try to fly like other birds. Upon the day you try to fly you shall be changed into your former self."

"Oh, what a shame that bright feathers cannot fly into the sky!" cried the peacock. Already he grew restless. He longed to soar through space. He yearned to fly above the trees high upward to the sun.

"Oh, there I see a flock of birds flying thither! Oh! oh!" said he, flapping his wings, "I must try my wings! I am tired of bright tail feathers. I want to try my wings."

"No, no!" clucked the elder bird. The flock of chattering birds flew by with whirring wings. "Oop! oop!" called some to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Silas Marner by George Eliot:

"I don't heed how the women are made," said Mr. Macey, with some contempt. "They wear nayther coat nor breeches: you can't make much out o' their shapes."

"Fayder," said Aaron, whose feet were busy beating out the tune, "how does that big cock's-feather stick in Mrs. Crackenthorp's yead? Is there a little hole for it, like in my shuttle-cock?"

"Hush, lad, hush; that's the way the ladies dress theirselves, that is," said the father, adding, however, in an undertone to Mr. Macey, "It does make her look funny, though--partly like a short-necked bottle wi' a long quill in it. Hey, by jingo, there's the young Squire leading off now, wi' Miss Nancy for partners!


Silas Marner
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

at a Brazilian tank steamer off the Bermudas in the fall of 1972. A heavy sea and the excellent seamanship of the master of the Brazilian permitted the Pan-American to escape and report this last of a long series of outrages upon our commerce. God alone knows how many hundreds of our ancient ships fell prey to the roving steel sharks of blood-frenzied Europe. Countless were the vessels and men that passed over our eastern and western horizons never to return; but whether they met their fates before the belching tubes of submarines or among the aimlessly drifting mine fields, no man lived to tell.


Lost Continent