|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tanach:
Isaiah 41: 9 Thou whom I have taken hold of from the ends of the earth, and called thee from the uttermost parts thereof, and said unto thee: 'Thou art My servant, I have chosen thee and not cast thee away';
Isaiah 41: 10 Fear thou not, for I am with thee, be not dismayed, for I am thy God; I strengthen thee, yea, I help thee; yea, I uphold thee with My victorious right hand.
Isaiah 41: 11 Behold, all they that were incensed against thee shall be ashamed and confounded; they that strove with thee shall be as nothing, and shall perish.
Isaiah 41: 12 Thou shalt seek them, and shalt not find them, even them that contended with thee; they that warred against thee shall be as nothing, and as a thing of nought.
Isaiah 41: 13 For I the LORD thy God hold thy right hand, who say unto thee: 'Fear not, I help thee.'
Isaiah 41: 14 Fear not, thou worm Jacob, and ye men of Israel; I help thee, saith the LORD, and thy Redeemer, the Holy One of Israel.
Isaiah 41: 15 Behold, I make thee a new threshing-sledge having sharp teeth; thou shalt thresh the mountains, and beat them small, and shalt make the hills as chaff.
Isaiah 41: 16 Thou shalt fan them, and the wind shall carry them away, and the whirlwind shall scatter them; and thou shalt rejoice in the LORD, thou shalt glory in the Holy One of Israel.
Isaiah 41: 17 The poor and needy seek water and there is none, and their tongue faileth for thirst; I the LORD will answer them, I the God of Israel will not forsake them.
Isaiah 41: 18 I will open rivers on the high hills, and fountains in the midst of the valleys; I will make the wilderness a pool of water, and the dry land springs of water.
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Roads of Destiny by O. Henry:
dust. Lonny led his cohorts straight for the Capitol. With a wild
yell, the gang endorsed his now evident intention of riding into it.
Hooray for San Saba!
Up the six broad, limestone steps clattered the broncos of the
cowpunchers. Into the resounding hallway they pattered, scattering in
dismay those passing on foot. Lonny, in the lead, shoved Hot Tamales
direct for the great picture. At that hour a downpouring, soft light
from the second-story windows bathed the big canvas. Against the
darker background of the hall the painting stood out with valuable
effect. In spite of the defects of the art you could almost fancy that
you gazed out upon a landscape. You might well flinch a step from the