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Today's Stichomancy for Charlton Heston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

beloved. No mother had ever fondled her, no father or brother had protected her from outrage; and the man who had plunged her into infamy, and deserted her when she stood in greatest need of support, deigned not to smooth with kindness the road to ruin. Thus degraded, was she let loose on the world; and virtue, never nurtured by affection, assumed the stern aspect of selfish independence.

This general view of her life, Maria gathered from her exclamations and dry remarks. Jemima indeed displayed a strange mixture of interest and suspicion; for she would listen to her with earnestness, and then suddenly interrupt the conversation, as if afraid of resigning, by giving way to her sympathy, her dear-bought

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Frankenstein by Mary Shelley:

have thrown Agrippa aside and have contented my imagination, warmed as it was, by returning with greater ardour to my former studies. It is even possible that the train of my ideas would never have received the fatal impulse that led to my ruin. But the cursory glance my father had taken of my volume by no means assured me that he was acquainted with its contents, and I continued to read with the greatest avidity. When I returned home my first care was to procure the whole works of this author, and afterwards of Paracelsus and Albertus Magnus. I read and studied the wild fancies of these writers with delight; they appeared to me treasures known to few besides myself. I have described myself as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

the bodies of apes is a conception too grossly materialistic for him. Our souls, however, he is quite willing to derive from the souls of lower animals. Obviously we have pre-existed; how are we to account for Mozart's precocity save by supposing his pre-existence? He brought with him the musical skill acquired in a previous life. In general, the souls of musical children come from nightingales, while the souls of great architects have passed into them from beavers (p. 247). We do not remember these past existences, it is true; but when we become ether-folk, we shall be able to look back in recollection over the whole series.

Amid these sublime inquiries, M. Figuier is sometimes notably

The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

sort of Holy Land. It was I who hindered her from giving those three pictures to the Church--a Domenichino, a Correggio, and an Andrea del Sarto--worth a good deal of money."

"But Angelique?" asked the young man.

"If you do not marry her, Angelique is done for," said the Count. "Our holy apostles counsel her to live a virgin martyr. I have had the utmost difficulty in stirring up her little heart, since she has been the only child, by talking to her of you; but, as you will easily understand, as soon as she is married you will carry her off to Paris. There, festivities, married life, the theatres, and the rush of Parisian society, will soon make her forget confessionals, and