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Today's Stichomancy for Duke of Wellington

The first excerpt represents the past or something you must release, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

other. A hint taken, a look understood, conveys the gist of long and delicate explanations; and where the life is known even YEA and NAY become luminous. In the closest of all relations - that of a love well founded and equally shared - speech is half discarded, like a roundabout, infantile process or a ceremony of formal etiquette; and the two communicate directly by their presences, and with few looks and fewer words contrive to share their good and evil and uphold each other's hearts in joy. For love rests upon a physical basis; it is a familiarity of nature's making and apart from voluntary choice. Understanding has in some sort outrun

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Options by O. Henry:

him to have. But I left him whole-I had to make bitter acknowledgment to myself that Louis Devoe was a gentleman worthy of my best blows; and I swore to give him them. He was a great merchant of the country, a wealthy importer and exporter. All day he sat in a fastidiously appointed office, surrounded by works of art and evidences of his high culture, directing through glass doors and windows the affairs of his house.

In person he was slender and hardly tall. His small, well-shaped head was covered with thick, brown hair, trimmed short, and he wore a thick, brown beard also cut close and to a fine point. His manners were a pattern.


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The third excerpt represents the future or something you must embrace, and is drawn from Parmenides by Plato:

one but two chasms: the first, between individuals and the ideas which have a common name; the second, between the ideas in us and the ideas absolute. The first of these two difficulties mankind, as we may say, a little parodying the language of the Philebus, have long agreed to treat as obsolete; the second remains a difficulty for us as well as for the Greeks of the fourth century before Christ, and is the stumblingblock of Kant's Kritik, and of the Hamiltonian adaptation of Kant, as well as of the Platonic ideas. It has been said that 'you cannot criticize Revelation.' 'Then how do you know what is Revelation, or that there is one at all,' is the immediate rejoinder--'You know nothing of things in themselves.' 'Then how do you know that there are things in themselves?' In some respects,