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Today's Stichomancy for Duke of Wellington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

"The Whimsies, the Growleywogs and the Phanfasms," she replied. "I watched to-day in my Magic Picture the messengers whom the Nome King sent to all these people to summon them to assemble in his great caverns."

"Let us see what they are doing now," suggested the Tin Woodman.

So Ozma wished to see the Nome King's cavern, and at once the landscape faded from the Magic Picture and was replaced by the scene then being enacted in the jeweled cavern of King Roquat.

A wild and startling scene it was which the Oz people beheld.

Before the Nome King stood the Chief of the Whimsies and the Grand Gallipoot of the Growleywogs, surrounded by their most skillful generals. Very fierce and powerful they looked, so that even the Nome

The Emerald City of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Paz by Honore de Balzac:

woman, when she shows her feline distrusts.

"Oh, I know him," said Adam; "he will sacrifice Malaga, if I ask him."

"We shall see," remarked the countess.

"If it is best for his own happiness, I sha'n't hesitate to ask him to leave her. Constantin says that since Paz has been with her he, sober as he is, has sometimes come home quite excited. If he takes to intoxication I shall be just as grieved as if he were my own son."

"Don't tell me anything more about it," cried the countess, with a gesture of disgust.

Two days later the captain perceived in the manner, the tones of voice, but, above all, in the eyes of the countess, the terrible

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fanny Herself by Edna Ferber:

returned, miraculously.

New York, on her return, was something of a shock. She remembered how vividly fresh it had looked to her on the day of that first visit, months before. Now, to eyes fresh from the crisp immaculateness of Paris and Berlin, Fifth avenue looked almost grimy, and certainly shabby in spots.

Ella Monahan, cheerful, congratulatory, beaming, met her at the pier, and Fanny was startled at her own sensation of happiness as she saw that pink, good-natured face looking up at her from the crowd below. The month that had gone by since last she saw Ella standing just so, seemed to slip

Fanny Herself
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

as out of the sordid and sentimental amours of the silly wife of a small country doctor in the squalid village of Yonville-l'Abbaye, near Rouen, Gustave Flaubert was able to create a classic, and make a masterpiece of style, so, from subjects of little or of no importance, such as the pictures in this year's Royal Academy, or in any year's Royal Academy for that matter, Mr. Lewis Morris's poems, M. Ohnet's novels, or the plays of Mr. Henry Arthur Jones, the true critic can, if it be his pleasure so to direct or waste his faculty of contemplation, produce work that will be flawless in beauty and instinct with intellectual subtlety. Why not? Dulness is always an irresistible temptation for brilliancy, and stupidity