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Today's Stichomancy for Elisha Cuthbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sophist by Plato:

STRANGER: You may remember that all art was originally divided by us into creative and acquisitive.

THEAETETUS: Yes.

STRANGER: And the Sophist was flitting before us in the acquisitive class, in the subdivisions of hunting, contests, merchandize, and the like.

THEAETETUS: Very true.

STRANGER: But now that the imitative art has enclosed him, it is clear that we must begin by dividing the art of creation; for imitation is a kind of creation--of images, however, as we affirm, and not of real things.

THEAETETUS: Quite true.

STRANGER: In the first place, there are two kinds of creation.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Sharer by Joseph Conrad:

on his cheeks; a small, brown mustache, and a well-shaped, round chin. His expression was concentrated, meditative, under the inspecting light of the lamp I held up to his face; such as a man thinking hard in solitude might wear. My sleeping suit was just right for his size. A well-knit young fellow of twenty-five at most. He caught his lower lip with the edge of white, even teeth.

"Yes," I said, replacing the lamp in the binnacle. The warm, heavy tropical night closed upon his head again.

"There's a ship over there," he murmured.

"Yes, I know. The Sephora. Did you know of us?"

"Hadn't the slightest idea. I am the mate of her--"


The Secret Sharer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Black Beauty by Anna Sewell:

and when I lay down I was tired, and miserable, and angry; it all seemed so hard. The next morning he came for me early, and ran me round again for a long time. I had scarcely had an hour's rest, when he came again for me with a saddle and bridle and a new kind of bit. I could never quite tell how it came about; he had only just mounted me on the training ground, when something I did put him out of temper, and he chucked me hard with the rein. The new bit was very painful, and I reared up suddenly, which angered him still more, and he began to flog me. I felt my whole spirit set against him, and I began to kick, and plunge, and rear as I had never done before, and we had a regular fight; for a long time he stuck to the saddle and punished me cruelly

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

All of the sights of the hill and the plain Fly as thick as driving rain; And ever again, in the wink of an eye, Painted stations whistle by. Here is a child who clambers and scrambles, All by himself and gathering brambles; Here is a tramp who stands and gazes; And here is the green for stringing the daisies! Here is a cart runaway in the road Lumping along with man and load; And here is a mill, and there is a river:


A Child's Garden of Verses