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Today's Stichomancy for Elisha Cuthbert

The first excerpt represents the past or something you must release, and is drawn from The Redheaded Outfield by Zane Grey:

many voices in light conversation and laughter filled the air. The peanut venders and score-card sellers kept up their insistent shrill cries. The baseball park was alive now and restless; the atmosphere seemed charged with freedom and pleasure. The players romped like skittish colts, the fans shrieked their witticisms--all sound and movements suggested play.

Madge Ellston was somehow relieved to see her uncle sitting in one of the lower boxes. During this game she wanted to be alone, and she


The Redheaded Outfield
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.

The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how, crowned with laurel, lest lightning might strike him, he had sat, as Tiberius, in a garden at Capri, reading the shameful books of Elephantis, while dwarfs and peacocks strutted round him and the flute-player mocked the swinger of the censer; and, as Caligula, had caroused with the green-shirted jockeys in their stables and supped


The Picture of Dorian Gray
The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister:

that I could not. And so I have taught the old operas to my choir--such parts of them as are within our compass and suitable for worship. And certain of my friends still alive at home are good enough to remember this taste of mine and to send me each year some of the new music that I should never hear of otherwise. Then we study these things also. And although our organ is a miserable affair, Felipe manages very cleverly to make it do. And while the voices are singing these operas, especially the old ones, what harm is there if sometimes the priest is thinking of something else? So there's my confession! And now, whether Trovatore is come or not, I shall not allow you to leave us until you have taught all you know of it to Felipe."