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Today's Stichomancy for Elisha Cuthbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Canyon by Zane Grey:

into his arms. "I need to be loved, too. But that's not what is wrong with me. You'll have to find it out yourself."

"You're a dear old Sphinx," she retorted.

"Listen, Carley," he said, earnestly. "About this love-making stuff. Please don't misunderstand me. I love you. I'm starved for your kisses. But--is it right to ask them?"

"Right! Aren't we engaged? And don't I want to give them?"

"If I were only sure we'd be married!" he said, in low, tense voice, as if speaking more to himself.

"Married!" cried Carley, convulsively clasping him. "Of course we'll be married. Glenn, you wouldn't jilt me?"


The Call of the Canyon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

speak?" he asked.

"Haven't you answered that yourself?"

"Answered it?"

"Just now--when you told me you did it for me." She paused a moment and then went on with a deepening note--"I would have spoken if I could have helped you."

"But you must have despised me."

"I've told you that would have been simpler."

"But how could you go on like this--hating the money?"

"I knew you would speak in time. I wanted you, first, to hate it as I did."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

The creature stood fully eight feet at the shoulder, and was so sleek and clean and glossy that I could have sworn that he had but recently been groomed. He stood head-on eyeing us as we approached him, for we had found it a waste of time to attempt to escape the perpetual bestial rage which seems to possess these demon creatures, who rove the dismal north attacking every living thing that comes within the scope of their far-seeing eyes. Even when their bellies are full and they can eat no more,


The Warlord of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gulliver's Travels by Jonathan Swift:

white mare of our family thread a needle (which I lent her on purpose) with that joint. They milk their cows, reap their oats, and do all the work which requires hands, in the same manner. They have a kind of hard flints, which, by grinding against other stones, they form into instruments, that serve instead of wedges, axes, and hammers. With tools made of these flints, they likewise cut their hay, and reap their oats, which there grow naturally in several fields; the YAHOOS draw home the sheaves in carriages, and the servants tread them in certain covered huts to get out the grain, which is kept in stores. They make a rude kind of earthen and wooden vessels, and bake the former in the sun.


Gulliver's Travels